Elizabeth, Margravine of Anspach,. “Introduction”. The Beautiful Lady Craven, edited by Lewis Saul Benjamin and Alexander Meyrick Broadley, Bodley Head, p. i - cxxxviii.
lxxxvi
New Theatre, Haymarket
Connections
| Connections Sort ascending | Author name | Excerpt |
|---|---|---|
| Performance of text | Eliza Haywood | A ballad opera, The Opera of Operas; or, Tom Thumb the Great, by EH
and her lover, William Hatchett
, was performed at the Haymarket. It was published the same day and the... |
| Performance of text | Elizabeth, Margravine of Anspach | Among the later plays written in England as by Lady Craven, The Silver Tankard, or The Point at Portsmouth (Larpent MS 564, acted at the Haymarket
on 18 July 1781) is a comic opera with... |
| Performance of text | Eliza Haywood | Transactions of both EH
and William Hatchett
involving theatre tickets now make it seem certain that she was indeed the Author of an adaptation of the sixteenth-century tragedy Arden of Feversham (as Arden of Feversham... |
| Performance of text | Elizabeth, Margravine of Anspach | |
| Performance of text | Elizabeth Inchbald | EI
's The Mogul Tale; or, The Descent of the Balloon (her first play to reach the stage) was produced at the Haymarket
under the pseudonym Mrs Woodley. The London Stage 1660-1800. Southern Illinois University Press. 5: 717 Manvell, Roger. Elizabeth Inchbald: England’s Principal Woman Dramatist and Independent Woman of Letters in 18th Century London. University Press of America. 31 |
| Performance of text | Elizabeth Inchbald | I'll Tell You What, a comedy by EI
, opened in the Haymarket
summer season and proved to be her second success. The London Stage 1660-1800. Southern Illinois University Press. 5: 813 Manvell, Roger. Elizabeth Inchbald: England’s Principal Woman Dramatist and Independent Woman of Letters in 18th Century London. University Press of America. 31 |
| Occupation | Charlotte Charke | This was the opening of this piece, which, contrary to custom, the Little Haymarket Theatre
kept almost uninterruptedly on the stage until the season ended in early May. Baruth, Philip E. “Who Is Charlotte Charke?”. Introducing Charlotte Charke: Actress, Author, Enigma, edited by Philip E. Baruth, University of Illinois Press, pp. 9-62. 24 |
| Occupation | Charlotte Charke | She resumed acting in London with her brother Theophilus's illicit Haymarket Company
. Baruth, Philip E. “Who Is Charlotte Charke?”. Introducing Charlotte Charke: Actress, Author, Enigma, edited by Philip E. Baruth, University of Illinois Press, pp. 9-62. 16 The London Stage 1660-1800. Southern Illinois University Press. 4: 743 |
| Occupation | Elizabeth Inchbald | EI
performed in both winter and summer seasons, at Covent Garden and the Little Theatre, Haymarket
(under manager George Colman
). During the season 1780-1781, the Covent Garden
theatre paid her two pounds a week... |
| Occupation | Maria Theresa Kemble | Maria De Camp (later MTK
) caught the public eye in the male role of Macheath in the Haymarket
's production of The Beggar's Opera. Highfill, Philip H. et al. A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660-1800. Southern Illinois University Press. 323 |
| Occupation | Sarah Gardner | SG
apparently had some success acting during summer seasons (15 May to 15 September) with Samuel Foote
at the Haymarket Theatre
. Highfill, Philip H. et al. A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660-1800. Southern Illinois University Press. 5: 464 Gardner, Sarah. Colyton MS. |
| Occupation | Sarah Gardner | SG
acted at the Haymarket Theatre
while her husband did not; this was probably when the marriage broke down. Grundy, Isobel. “Sarah Gardner: "Such Trumpery" or ‘A Lustre to Her Sex’?”. Tulsa Studies in Women’s Literature, Vol. 7 , pp. 7-25. 8 |
| Occupation | Sarah Gardner | SG
appeared at the Haymarket Theatre
in a play called The Female Dramatist, by her old adversary George Colman
. Grundy, Isobel. “Sarah Gardner: "Such Trumpery" or ‘A Lustre to Her Sex’?”. Tulsa Studies in Women’s Literature, Vol. 7 , pp. 7-25. 15 The London Stage 1660-1800. Southern Illinois University Press. 5: 537 |
| Occupation | Charlotte Lennox | |
| Occupation | Charlotte Lennox | This seems to have been the first of her few and scattered stage appearances. She played at Richmond in 1748 and at the Little Theatre, Haymarket
, as Almeria, heroine of Congreve
's The Mourning... |
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