Kritzer, Amelia Howe. The Plays of Caryl Churchill: Theatre of Empowerment. Macmillan.
67
Connections | Author name Sort descending | Excerpt |
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Performance of text | Caryl Churchill | CC
's next play staged at the Royal Court
, a science fiction work titled Moving Clocks Go Slow, received only a one-night performance at the small Upstairs theatre in June 1975. Kritzer, Amelia Howe. The Plays of Caryl Churchill: Theatre of Empowerment. Macmillan. 67 |
Performance of text | Caryl Churchill | Its London run at the Royal Court Theatre
began three weeks later. Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press. 109 |
Occupation | Caryl Churchill | CC
was resident dramatist and tutor for the Young Writers' Group at the Royal Court Theatre
in London. She was the first woman to hold this position. Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press. 107 Shattock, Joanne. The Oxford Guide to British Women Writers. Oxford University Press. 103 Contemporary Authors. Gale Research. 46: 68 |
Textual Production | Caryl Churchill | In this production CC
continued her longtime collaboration with director Max Stafford-Clark
, who had worked on several of her Joint Stock
and Royal Court
plays. Churchill, Caryl. Blue Heart. Theatre Communications Group. prelims |
Performance of text | Caryl Churchill | Owners, CC
's first stage play in several years, opened in London at the Royal Court Theatre
Upstairs. Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press. 108 |
Textual Production | Caryl Churchill | Other projects from the 1990s include Lives of the Great Poisoners (1991) and Hotel (1997), both co-written with composer Orlando Gough
and choreographer Ian Spink
for Second Stride
theatre company; a translation of Seneca
's... |
Performance of text | Caryl Churchill | Objections to Sex and Violence, a play by CC
, opened at the Royal Court Theatre
in London. Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press. 109 |
Textual Production | Caryl Churchill | In April 2003 CC
participated in a series of events at the Royal Court
entitled War Correspondence. She composed her documentary piece Iraqdoc, out of actual remarks from a website chatroom frequented by... |
Performance of text | Caryl Churchill | CC
's play Traps (written, this time, without the collaboration of a theatre group) was first performed at the Royal Court Theatre
Upstairs in London. Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press. 110 Churchill, Caryl. Traps. Pluto Press. prelims |
Performance of text | Caryl Churchill | In 2003 CC
's ten-minute play Iraqdoc was given at the Royal Court
. Fraser, Antonia. Must You Go?. Random House of Canada. 273 “Caryl Churchill”. doollee.com: Playwrights. |
Performance of text | Caryl Churchill | CC
's critically acclaimed feminist drama Top Girls premièred at the Royal Court Theatre
. Churchill, Caryl. Top Girls. Methuen. prelims Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press. 110 |
Performance of text | Caryl Churchill | CC
's widely successful verse drama about the London financial world, Serious Money, premiered at the Royal Court Theatre
. Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press. 112 Churchill, Caryl. Serious Money. Methuen. prelims |
Performance of text | Caryl Churchill | Icecream, CC
's play about tourists and tourism, set in Britain and the US, previewed at the Royal Court Theatre
, directed by Max Stafford-Clark
. Churchill, Caryl. Icecream. Nick Hern. prelims Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press. 113 |
Performance of text | Caryl Churchill | CC
's double bill of plays entitled Blue Heart of Blue/Heart began its tour with the Out of Joint
and Royal Court
theatre companies at Bury St Edmunds, moving soon afterwards to the Edinburgh Festival |
Performance of text | Sarah Daniels | Byrthrite, SD
's historical feminist drama about women's reproductive rights and the persecution of witches, set during the English Civil War, was first performed at the Royal Court Theatre
. Griffin, Gabriele. “Violence, Abuse, and Gender Relations in the Plays of Sarah Daniels”. The Cambridge Companion to Modern British Women Playwrights, edited by Elaine Aston and Janelle Reinelt, Cambridge University Press, pp. 194-11. 207 Daniels, Sarah. Plays: One. Methuen. 334 Cousin, Geraldine. Women in Dramatic Place and Time: Contemporary Female Characters on Stage. Routledge. 92 |
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