Royal Court Theatre

Connections

Connections Sort ascending Author name Excerpt
Reception Ann Jellicoe
AJ later described this play as a flop d'estime.
Jellicoe, Ann. “Ann Jellicoe Talks to Sue Todd”. The Knack and The Sport of My Mad Mother, Faber and Faber, pp. 9-23.
12
Critics found it baffling, and faulted her for not providing a stronger plot and more engaging characters.
Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press.
220, 222
Commercially, the play was a resounding...
Reception Ann Jellicoe
Michael Coveney and David Edgar counted this, with The Knack, part of a legendary canon in Sloane Square (home of the Royal Court Theatre ).
Coveney, Michael, and David Edgar. “Ann Jellicoe obituary”. theguardian.com.
Publishing Sarah Daniels
SD began writing after reading an injunction from Doris Lessing about putting one's life in order. Some fringe plays that she attended were absolutely dreadful, which made her confident that she could do better...
Publishing Ann Jellicoe
The play opened in Cambridge because the Royal Court , despite their earlier supportiveness, wanted to test the waters before staging another Jellicoe play in London. AJ credits John Osborne for persuading them to produce...
Author summary Ann Jellicoe
AJ was one of the new, post-war generation of playwrights associated with the Royal Court , who helped to revitalise theatre in Britain in the late 1950s and early 1960s. Her early plays, whose plotlessness...
politics Ann Jellicoe
Looking back at her time at the Royal Court from 1984, however, AJ commented: I was awfully blind—I'm one of the ones that's been re-educated. . . . I didn't appreciate what tremendous disadvantages I...
Performance of text Caryl Churchill
CC 's play Far Away opened at the Royal Court 's Theatre Upstairs, directed by Stephen Daldry .
Churchill, Caryl. Far Away. Nick Hern and Royal Court Theatre.
title-page
Performance of text Timberlake Wertenbaker
TW 's play The Grace of Mary Traverse opened at the Royal Court Theatre in London.
Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press.
408
Performance of text Sarah Daniels
Byrthrite, SD 's historical feminist drama about women's reproductive rights and the persecution of witches, set during the English Civil War, was first performed at the Royal Court Theatre .
Griffin, Gabriele. “Violence, Abuse, and Gender Relations in the Plays of Sarah Daniels”. The Cambridge Companion to Modern British Women Playwrights, edited by Elaine Aston and Janelle Reinelt, Cambridge University Press, pp. 194-11.
207
Daniels, Sarah. Plays: One. Methuen.
334
Cousin, Geraldine. Women in Dramatic Place and Time: Contemporary Female Characters on Stage. Routledge.
92
Performance of text Ann Jellicoe
AJ 's biographical play, Shelley ; or, The Idealist, was first performed at the Royal Court Theatre in London.
Jellicoe, Ann. Shelley. Faber and Faber.
prelims
Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press.
221
Performance of text Samuel Beckett
SB 's play Fin de partie (Endgame), a bleak piece about alienation set in a desolate world, was published in Paris. The next month it had its first performance (in French) at the Royal Court , London.
Federman, Raymond, and John Fletcher. Samuel Beckett. University of California Press.
65
Parker, Peter, editor. The Reader’s Companion to Twentieth-Century Writers. Fourth Estate and Helicon.
60
Taylor, John Russell. The Penguin Dictionary of theTheatre. Penguin.
91
Performance of text Timberlake Wertenbaker
TW 's Our Country's Good opened at the Royal Court Theatre in London.
Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press.
409
Performance of text Sarah Daniels
The Women's Playhouse Trust first performed a play by SD about sexual abuse, Beside Herself, at the Royal Court Theatre , directed by Jules Wright .
Daniels, Sarah. Plays: Two. Methuen.
96
Goodman, Lizbeth, and Jane De Gay. Feminist Stages: Interviews with Women in Contemporary British Theatre. Harwood Academic Publishers.
100
Aston, Elaine, and Geraldine Harris. Performance Practice and Process: Contemporary (Women) Practitioners. Palgrave Macmillan.
82
Performance of text Samuel Beckett
SB 's play Endgame was banned from performance at the Royal Court in London by the Lord Chancellor since the Deity was called a bastard. It finally opened in November this year.
Cohn, Ruby. Back to Beckett. Princeton University Press.
xi
Performance of text George Paston
GP 's Tilda's New Hat, a one-act comedy about love and fashion, was first performed by the Play Actors at the Court Theatre .
Nicoll, Allardyce. English Drama, 1900-1930. Cambridge University Press.
875
Kaplan, Joel H., and Sheila Stowell. Theatre and Fashion: Oscar Wilde to the Suffragettes. Cambridge University Press.
167

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