Jellicoe, Ann. “Ann Jellicoe Talks to Sue Todd”. The Knack and The Sport of My Mad Mother, Faber and Faber, pp. 9-23.
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Connections Sort ascending | Author name | Excerpt |
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Reception | Ann Jellicoe | AJ
later described this play as a flop d'estime. Jellicoe, Ann. “Ann Jellicoe Talks to Sue Todd”. The Knack and The Sport of My Mad Mother, Faber and Faber, pp. 9-23. 12 Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press. 220, 222 |
Reception | Ann Jellicoe | Michael Coveney
and David Edgar
counted this, with The Knack, part of a legendary canon in Sloane Square (home of the Royal Court Theatre
). Coveney, Michael, and David Edgar. “Ann Jellicoe obituary”. theguardian.com. |
Publishing | Sarah Daniels | SD
began writing after reading an injunction from Doris Lessing
about putting one's life in order. Some fringe plays that she attended were absolutely dreadful, which made her confident that she could do better... |
Publishing | Ann Jellicoe | The play opened in Cambridge because the Royal Court
, despite their earlier supportiveness, wanted to test the waters before staging another Jellicoe play in London. AJ
credits John Osborne
for persuading them to produce... |
Author summary | Ann Jellicoe | AJ
was one of the new, post-war generation of playwrights associated with the Royal Court
, who helped to revitalise theatre in Britain in the late 1950s and early 1960s. Her early plays, whose plotlessness... |
politics | Ann Jellicoe | Looking back at her time at the Royal Court
from 1984, however, AJ
commented: I was awfully blind—I'm one of the ones that's been re-educated. . . . I didn't appreciate what tremendous disadvantages I... |
Performance of text | Caryl Churchill | CC
's play Far Away opened at the Royal Court
's Theatre Upstairs, directed by Stephen Daldry
. Churchill, Caryl. Far Away. Nick Hern and Royal Court Theatre. title-page |
Performance of text | Timberlake Wertenbaker | TW
's play The Grace of Mary Traverse opened at the Royal Court Theatre
in London. Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press. 408 |
Performance of text | Sarah Daniels | Byrthrite, SD
's historical feminist drama about women's reproductive rights and the persecution of witches, set during the English Civil War, was first performed at the Royal Court Theatre
. Griffin, Gabriele. “Violence, Abuse, and Gender Relations in the Plays of Sarah Daniels”. The Cambridge Companion to Modern British Women Playwrights, edited by Elaine Aston and Janelle Reinelt, Cambridge University Press, pp. 194-11. 207 Daniels, Sarah. Plays: One. Methuen. 334 Cousin, Geraldine. Women in Dramatic Place and Time: Contemporary Female Characters on Stage. Routledge. 92 |
Performance of text | Ann Jellicoe | AJ
's biographical play, Shelley
; or, The Idealist, was first performed at the Royal Court Theatre
in London. Jellicoe, Ann. Shelley. Faber and Faber. prelims Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press. 221 |
Performance of text | Samuel Beckett | SB
's play Fin de partie (Endgame), a bleak piece about alienation set in a desolate world, was published in Paris. The next month it had its first performance (in French) at the Royal Court
, London. Federman, Raymond, and John Fletcher. Samuel Beckett. University of California Press. 65 Parker, Peter, editor. The Reader’s Companion to Twentieth-Century Writers. Fourth Estate and Helicon. 60 Taylor, John Russell. The Penguin Dictionary of theTheatre. Penguin. 91 |
Performance of text | Timberlake Wertenbaker | TW
's Our Country's Good opened at the Royal Court Theatre
in London. Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press. 409 |
Performance of text | Sarah Daniels | The Women's Playhouse Trust
first performed a play by SD
about sexual abuse, Beside Herself, at the Royal Court Theatre
, directed by Jules Wright
. Daniels, Sarah. Plays: Two. Methuen. 96 Goodman, Lizbeth, and Jane De Gay. Feminist Stages: Interviews with Women in Contemporary British Theatre. Harwood Academic Publishers. 100 Aston, Elaine, and Geraldine Harris. Performance Practice and Process: Contemporary (Women) Practitioners. Palgrave Macmillan. 82 |
Performance of text | Samuel Beckett | SB
's play Endgame was banned from performance at the Royal Court
in London by the Lord Chancellor since the Deity was called a bastard. It finally opened in November this year. Cohn, Ruby. Back to Beckett. Princeton University Press. xi |
Performance of text | George Paston | GP
's Tilda's New Hat, a one-act comedy about love and fashion, was first performed by the Play Actors
at the Court Theatre
. Nicoll, Allardyce. English Drama, 1900-1930. Cambridge University Press. 875 Kaplan, Joel H., and Sheila Stowell. Theatre and Fashion: Oscar Wilde to the Suffragettes. Cambridge University Press. 167 |
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