Michael Billington

Michael Billington in the Oxford Dictionary of National Biography wrote that Pinter here staked out his own particular theatrical territory, dark with the unexplained threat of violence. The room of the title, a bedsitter occupied...

In this play's three apparently naturalistic acts, a man named Stanley is tracked down in a seaside boarding-house by two strangers, the Jewish Goldberg and the Irish McCann. They turn up on his birthday and...

According to Michael Billington , this mesmerizing play . . . starts as a domestic inquisition and opens up to admit the horrors of twentieth-century history. It ends on a note of savage despair.

Antonia Fraser called The Rooma savage, melancholy play which ends in appalling on stage physical violence. None of Pinter's other mature plays do this: he learned to keep the violence either offstage or in...

In November, the next number of Poetry London (edited by Tambimuttu ) confessed in a footnote to having transposed, by printer's error, the concluding passages of these very interesting poems. It reprinted the first poem...

In April 2003 CC participated in a series of events at the Royal Court entitled War Correspondence. She composed her documentary piece Iraqdoc, out of actual remarks from a website chatroom frequented by...

Beecham called the play a ferocious Geordie drama thick with dialect, diatribe and an unsparing depiction of the brutalities of the industrial north at the turn of the century. Its recent director, Jonathan Miller ...