The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols.
5: 2160
Connections Sort descending | Author name | Excerpt |
---|---|---|
Friends, Associates | Mary Robinson | Early in her marriage MR
's friends included two lesser-known women novelists, Mary Ann Hanway
and Catherine Parry
(the Welsh author of a single, moralising novel, at whose house she met the actress Frances Abington |
Performance of text | Anne Plumptre | The Count of Burgundy, based on a work by Kotzebue
translated by AP
, opened at Covent Garden
: this was the last stage appearance of the great comic actress Frances Abington
. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 2160 |
Publishing | Elizabeth Hands | The advertisement for the book in print, like the pre-notification, was carried by Jopson's Coventry Mercury. The volume was dedicated to the dramatist Bertie Greatheed
. It was issued in two forms: ordinary copies... |
Theme or Topic Treated in Text | Mary Julia Young | MJY
's poem, in fast-moving heroic couplets, opens with Genius invoking the aid of Fancy. Fancy insists that the most beautiful and versatile of the muses is Thalia (who presides over comedy). After urging the... |
Theme or Topic Treated in Text | Christopher St John | The First Actress draws an implicit parallel between the admission of women to the vote and their admission to stage acting at the Restoration. Peggy Hughes
, presented as first woman in the London professional... |
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