John Milton

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Standard Name: Milton, John

Connections

Connections Sort ascending Author name Excerpt
Intertextuality and Influence Elizabeth Barrett Browning
The title piece, A Drama of Exile, is the most ambitious. It visualises the consequences of the biblical Fall from paradise, since, as EBB writes in the preface (where she casts herself, too, as...
Intertextuality and Influence Eudora Welty
This is one of her best-known volumes of stories, in part perhaps because of its involvement with gender issues, with such topics as early sexual development, rigidly demarcated gender roles, misogyny, sexual violence, defiance of...
Intertextuality and Influence Mary Taylor
In her pursuit of female independence, Taylor refutes Milton 's assertion in Paradise Lost (He for God only, and she for God in him),
Taylor, Mary. The First Duty of Women. Emily Faithfull, 1870.
177
with the counter-assertion: It is not for God...
Intertextuality and Influence Henrietta Battier
This is the first example in print of HB 's satiric style: heroic couplets which gallop along with perfect control and slashing vituperation. It opens magnificently: Unknowing either, and to both unknown, / An individual...
Intertextuality and Influence Mary Julia Young
The title-page has two epigraphs. The first begins with two lines from Milton 's Il Penseroso (perhaps alluding to its musical setting by Handel ), which go on to link the nightingale with Anna...
Intertextuality and Influence Augusta Webster
She refers to the campaign for the vote as a side-effect of a disturbance in the relation of the sexes, of the Paradisaical, or Milton ic,
Webster, Augusta. “Parliamentary Franchise for Women Ratepayers”. Before the Vote Was Won: Arguments For and Against Women’s Suffrage, edited by Jane Lewis, Routledge, 1987, pp. 338-41.
338
subordination of women. It is in fact the...
Intertextuality and Influence Elizabeth Hands
In Critical Fragments, on some of the English Poets (seven poets, all male), EH wittily exercises an imitation which is far from flattery. She begins with Milton , who in ponder'ous verse, moves greatly on...
Intertextuality and Influence Aldous Huxley
Its womanizing protagonist, Mr Hutton, considers himself the Christ of Ladies (reversing, with what he supposes to be worldly wit, the supposed nickname of Milton as the lady of Christ's).
Huxley, Aldous. Mortal Coils. Chatto and Windus, 1958.
3
His internal monologue...
Intertextuality and Influence Isabella Beeton
Notwithstanding the putative focus on management, the bulk of the 44-chapter book is taken up with discussion of food, from the chapters on Arrangement and Economy of the Kitchen and Introduction to Cookery to the...
Intertextuality and Influence Adelaide Kemble
Bessie and her more assertive friend Ursula Hamilton are challenged by men in their social circle about the alleged inferiority of women, as proved by their failure to produce serious artistic work. Bessie thinks of...
Intertextuality and Influence Sarah Lady Cowper
The diary's first volume opens with a preface which expresses conventional modesty bluntly, without the customary effort at elegance or grace: Books generally begin with a Preface which draws in the Reader to go on...
Intertextuality and Influence Jane Harvey
In addition to quotation from Milton , Pope , and Thomson , this book has a Sterne an flavour, with passages titled from sights (like The Theatre Royal and The Merchants's Court) alternating with...
Intertextuality and Influence Mary Shelley
As it stands, Frankenstein is no ghost story, though it is rich in the uncanny, and aims to chill its reader's blood. MS shows an astonishing power for such a young author of weaving together...
Intertextuality and Influence Medora Gordon Byron
The title-page quotes Milton 's Paradise Lost (There wanted yet the master-work); the preface quotes Samuel Johnson saying that the novelist needs to have first-hand experience of the living world, but that...
Intertextuality and Influence Susanna Watts
The first number, dated 1 December 1824, opens with The Editors to the Reader, in which Watts's three personae introduce themselves as sisters. They are very literary personifications, who possess, respectively, the actual spear...

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