Miller, Betty. The Mere Living. Victor Gollancz.
prelims
Connections | Author name Sort descending | Excerpt |
---|---|---|
Textual Production | Betty Miller | The Browning line (How good is man's life, the mere living!) is quoted as epigraph, along with a passage from Goethe
which is also about enjoyment of life. Miller, Betty. The Mere Living. Victor Gollancz. prelims |
Intertextuality and Influence | Hannah More | More takes a sceptical view of sensibility: she reproves both the representation of it in Goethe
's Werther (which had been available in English for about three years) and the sentimental enthusiasm which the book... |
Textual Features | Constance Naden | The book is divided into four sections: The Astronomer, etc., The Lady Doctor, etc. (from the poem already printed in London Society), Sonnets, and Translations (which come from Schiller
, Goethe
,... |
Textual Production | Constance Naden | This had a red cover with the same design of a trailing plant that adorned her Songs and Sonnets of Springtime, with the frontispiece image and signature (Constance C.W. Naden) which are... |
Intertextuality and Influence | Sarojini Naidu | For SN
, writing began as an act of rebellion. She wrote her first poem at the age of eleven when she became frustrated with an algebra problem, and thereupon decided to become a poet.... |
Intertextuality and Influence | Caroline Norton | The novel takes its epigraph from Goethe
's Faust. Norton, Caroline, and S. Bailey Shurbutt. Lost and Saved. Scholars’ Facsimilies and Reprints. i |
Intertextuality and Influence | Julia Pardoe | Indebted to the tradition of Goethe
's Faust, the story may have influenced Marie Corelli
's Sorrows of Satan (1895). |
Travel | Bessie Rayner Parkes | Some time after her years of schooling and her trip to abroad, BRP
visited Italy. She also went to Germany in order to make a pilgrimage to Goethe
's Weimar. Lowndes, Marie Belloc. I, Too, Have Lived in Arcadia. Macmillan. 13 |
Theme or Topic Treated in Text | Bessie Rayner Parkes | Her other topics include artists and male literary figures, including Carlyle
, Goethe
, Emerson
, and Shakespeare
. Fifteen poems in the collection are written about places, among them London, Birmingham, and... |
Textual Production | Eliza Parsons | Founded on Fact[s] in titles often had no basis in truth, having been used, for instance, on translation from Goethe
in 1779 as The Sorrows of Werter. A German Story, Founded on Fact |
Education | Emmeline Pethick-Lawrence | After Greystone House, Emmeline Pethick started attending a Quaker school in Weston-super-Mare, where her family had moved. She became a boarder at this school when she was twelve. Pethick-Lawrence, Emmeline. My Part in a Changing World. Hyperion. 57 Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Textual Production | Dorothy Richardson | She was invited to write for the magazine by John Middleton Murry
, who founded it in 1923, though both he and Katherine Mansfield
had published negative reviews of earlier volumes of Pilgrimage. Richardson, Dorothy. Windows on Modernism: Selected Letters of Dorothy Richardson. Editor Fromm, Gloria G., University of Georgia Press. 41-2, 90, 212 |
Textual Production | Dorothy Richardson | In her correspondence Richardson addresses a great range of topics, including her own varied reading. She comments on women writers from Julian of Norwich
through Jane Austen
, Emily
and Charlotte Brontë
, George Eliot |
Friends, Associates | Maria Riddell | |
Textual Production | Elizabeth Rigby | During a second trip to Germany, ER
penned a solid but unfriendly Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder. Broomfield, Andrea, and Sally Mitchell, editors. Prose by Victorian Women. Garland. 78 |
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