Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Intertextuality and Influence | Barbara Hofland | The title-page (like several earlier ones of BH
) quotes Shakespeare
. The novel opens in 1726, with Catherine the first
holding court in Russia after Peter the Great
's death. She had come to... |
| Intertextuality and Influence | Adelaide Kemble | Bessie and her more assertive friend Ursula Hamilton are challenged by men in their social circle about the alleged inferiority of women, as proved by their failure to produce serious artistic work. Bessie thinks of... |
| Intertextuality and Influence | Rose Tremain | Her dedicatee was a bookstore owner in Nashville, Tennessee, where he involved himself in the Civil Rights movement in 1960. (His son Richard
is known as a writer). RT
uses three epigraphs: from St John of the Cross |
| Intertextuality and Influence | Ali Smith | As each book in this series relates to one of Shakespeare
's plays, this one relates to Pericles, and the artist that it relates to is |
| Intertextuality and Influence | Sarah Green | |
| Intertextuality and Influence | Mrs Martin | Indeed, as in MM
's previous novels, the narrative technique contributes largely to the reader's enjoyment. The narrator addresses the reader as dear Madam, then (without modifying this address) invites her to call the narrator... |
| Intertextuality and Influence | Ethel Wilson | The title embraces controversy and makes something witty of her habitual modesty. In her extended argument against the value of creative writing classes, EW
maintains that good writers must be self-taught and that the conditions... |
| Intertextuality and Influence | Ada Leverson | This novel is a comedy of manners set in London in springtime, the start of the social season. Critic Charles Burkhart
suggests that the title alludes to Shakespeare
's Twelfth Night; it also, paradoxically... |
| Intertextuality and Influence | Edna St Vincent Millay | She writes often here about the landscape and plants at Steepletop, using them as a metaphor for life and joy and the past. The final piece included in her Selected Poems, 2003, a... |
| Intertextuality and Influence | B. M. Croker | |
| Intertextuality and Influence | Mrs Ross | Southampton turns out to be too bashful to speak in parliament, and also too weak to withstand the mockery of rakish friends for his fidelity to his wife. He suffers agony of conscience over his... |
| Intertextuality and Influence | Louise Page | At thirteen, profoundly affected by a Saturday matinee of John McGrath
's Events While Guarding the Bofors Gun and by the idea that theatre can change people's lives, she decided to be a playwright. Page, Louise. “Tissue”. Plays by Women: Volume One, edited by Michelene Wandor and Michelene Wandor, Methuen, 1982, pp. 75-103. 103 |
| Intertextuality and Influence | Elizabeth Heyrick | Both the title-page and the body of the work quote (unascribed) lines about social injustice spoken by Shakespeare
's King Lear (who has only just realised the rampant injustice of the world and of his... |
| Intertextuality and Influence | Sarah Murray | Frances Milton never blames her father for his unkindness; she still owes him total gratitude and devotion, which she seems to regard as on a par with our debt of love and gratitude to God... |
| Intertextuality and Influence | Mary Delany | Janice Thaddeus
discusses the prerogative MD
assumed in giving names of her own invention to people and places. Her uncle Lansdowne was Alcander (a violent man mentioned in Plutarch
's Lives, who was forgiven... |
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