Clarke, Mary Cowden. My Long Life. Dodd, Mead.
131
Connections | Author name Sort descending | Excerpt |
---|---|---|
Textual Production | Gillian Clarke | Invited to respond to Shakespeare
's sonnets, GC
took off from Let me not to the marriage of true minds for a poem on enduring love with examples from the animal kingdom: swallows homing and... |
Textual Production | Mary Cowden Clarke | MCC
finished work on her book The Complete Concordance to Shakspere on this day, her mother's birthday. Clarke, Mary Cowden. My Long Life. Dodd, Mead. 131 |
Publishing | Mary Cowden Clarke | MCC
issued in eighteen monthly parts The Complete Concordance to Shakspere. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford. |
Textual Production | Mary Cowden Clarke | Mary Cowden Clarke
published the work for which she is principally remembered, The Girlhood of Shakespeare
's Heroines; in a series of fifteen tales. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. The Athenaeum Index of Reviews and Reviewers: 1830-1870. http://replay.web.archive.org/20070714065452/http://www.soi.city.ac.uk/~asp/v2/home.html. 1208 (21 December 1850) |
Textual Production | Mary Cowden Clarke | MCC
and her husband
began work on a commission from Cassell and Co.
for an annotated edition of Shakespeare
. Clarke, Mary Cowden. My Long Life. Dodd, Mead. 160 |
Textual Production | Mary Cowden Clarke | MCC
and her husband finished work on their annotated Shakespeare
; two days later they began on The Shakespeare Key. Clarke, Mary Cowden. My Long Life. Dodd, Mead. 160 |
Author summary | Mary Cowden Clarke | MCC
was a leading nineteenth-century Shakespearean scholar, who (in collaboration with her husband, Charles Cowden Clarke
) annotated editions, compiled a concordance, and wrote a key or encyclopaedia, and on her own account produced an... |
Publishing | Mary Cowden Clarke | Once established as a scholar, MCC
staked out a territory as a critic in On Shakespeare
's Individuality in His Characters, a series of articles carried by Sharpe's London Magazine during 1848-51. Gross, George. “Mary Cowden Clarke, ’The Girlhood of Shakespeare’s Heroines’, and the Sex Education of Victorian Women”. Victorian Studies, Vol. 16 , No. 1, pp. 37-58. 38 |
Intertextuality and Influence | Frances Power Cobbe | The theoretical essay with which FPC
headed Josephine Butler
's landmark collection Woman's Work and Woman's Culture, 1869, launches out with wit: Of all the theories current concerning women, none is more curious than... |
Textual Production | Alison Cockburn | AC
's occasional writings include a serious self-examination in rhythmical prose entitled The Character of Mrs C—n by Herself, which begins: Born with too much sensibility to enjoy ease, / With high ideas of... |
Dedications | Christabel Coleridge | This small-size book has an ornamental cover and title-page, both printed in black and red on white. CC
dedicates it, with a quotation offering flowers, from Shakespeare
's The Winter's Tale, to J. F... |
Education | Mary Elizabeth Coleridge | |
death | Mary Elizabeth Coleridge | Reportedly, during the earliest stages of her illness, she was found resting on the sofa and reading Shakespeare
. Life is worth living, she told her family, as long as there is King Lear to... |
Publishing | Mary Elizabeth Coleridge | By the time she reached twenty, MEC
was regularly contributing essays to periodicals like The Monthly Packet and Merry England. One of her first publications was an essay on Shakespeare
for The Theatre. Coleridge, Mary Elizabeth. “Memoir and Editorial Materials”. Gathered Leaves from the Prose of Mary E. Coleridge, edited by Edith Sichel, Constable, pp. 1 - 44; various pages. 15 Stanford, Donald E., editor. Dictionary of Literary Biography 19. Gale Research. 78 |
Textual Production | Mary Elizabeth Coleridge | That same year MEC
composed A Clever Woman, a poem detailing its female speaker's heartbreak upon realizing that her intellect has made her beloved view her as if she were a platonic male companion... |
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