Edith Craig
-
Standard Name: Craig, Edith
Birth Name: Ailsa Edith Geraldine Craig
Nickname: Edy
Self-constructed Name: Ailsa Craig
EC
was primarily a theatre practitioner, known chiefly for her Pioneer Players
, the women's theatre company she founded in 1911. Her literary output was scant. She published a handful of articles on stagecraft, and contributed to a revised edition of her mother Ellen Terry
's memoirs. She also wrote one unpublished play for children. Her unpublished papers—correspondence, prompt books, and playbills—document her significant contribution to feminist theatre history.
Connections
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Textual Production | Christopher St John | The Theatre of the Soul's greatest innovations on the English stage lay in its representation of female desire through the character of a female dancer and in the use of innovative stage lighting techniques... |
Residence | Christopher St John | CSJ
and Edith Craig
rented a residence in London, a third-floor flat at 31 Bedford Street, Covent Garden; this flat became a refuge for suffragists just out of prison or wanted by police. Cockin, Katharine. Edith Craig (1869-1947): Dramatic Lives. Cassell. 81 Holledge, Julie. Innocent Flowers: Women in the Edwardian Theatre. Virago. 121-2 Auerbach, Nina. Ellen Terry: Player in Her Time. W.W. Norton. 407 |
Performance of text | Christopher St John | This had reached print bearing the date of 1911. Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
politics | Christopher St John | Sime Seruya
established the International Suffrage Shop
as a feminist publisher and bookseller; it operated out of CSJ
and Edith Craig
's home in Bedford Street. Cockin, Katharine. Edith Craig (1869-1947): Dramatic Lives. Cassell. 87 |
Family and Intimate relationships | Christopher St John | CSJ
's and Edith Craig
's household expanded to include the painter Tony (Clare) Atwood
; the three lived together in Smallhythe Place and London for the rest of their lives. Cockin, Katharine. Edith Craig (1869-1947): Dramatic Lives. Cassell. 124, 181 |
Occupation | Christopher St John | After the death of Ellen Terry
, Edith Craig
and CSJ
turned the barn on their property at Smallhythe into a theatre
; the farm they renamed the Ellen Terry Memorial Museum
. Auerbach, Nina. Ellen Terry: Player in Her Time. W.W. Norton. 400, 453 |
Friends, Associates | Christopher St John | CSJ
, Edith Craig
, and Tony Atwood
spent much time in the company of Radclyffe Hall
and Una Troubridge
, who were staying temporarily in Kent while their house was being renovated. Cockin, Katharine. Edith Craig (1869-1947): Dramatic Lives. Cassell. 161 |
Performance of text | Vita Sackville-West | VSW
gave a reading of The Land at the Barn Theatre at Smallhythe, run by Edith Craig
and Christopher St John
. Glendinning, Victoria. Vita. Penguin. 251 |
Textual Production | George Paston | GP
's Clothes and the Woman: A Comedy in Three Acts was first produced by the Pioneers
at the Imperial Theatre
. These Pioneers are not the same group as Edith Craig
's feminist Pioneer Players
. Nicoll, Allardyce. English Drama, 1900-1930. Cambridge University Press. 875 Kaplan, Joel H., and Sheila Stowell. Theatre and Fashion: Oscar Wilde to the Suffragettes. Cambridge University Press. 164 |
Performance of text | Edith Lyttelton | Edith Craig
's Pioneer Players
mounted a production of Two Pierrots, EL
's adaptation of Rostand
's play Les deux Pierrots (which has been described as a curtain-raiser), at London's Little Theatre
. Nicoll, Allardyce. English Drama, 1900-1930. Cambridge University Press. 797 Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Performance of text | Constance Holme | CH
's dialect play The Home of Vision (one of her only two dramatic pieces to be performed in London over the course of her career) was acted by Edith Craig
's Pioneer Players
. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford. |
Performance of text | Cicely Hamilton | Later that year it toured provincial suffrage societies for the Actresses' Franchise League
, under the direction of Edith Craig
. It eventually became a staple piece for Craig's Pioneer Players
. |
Textual Features | Cicely Hamilton | The pageant required more than fifty actresses, only three of whom had speaking parts, to portray famous women from history (not all of them remembered today). In the initial, Scala production, the only speaking role... |
Reception | Cicely Hamilton | The play was both a critical success and enormously popular, though some trade papers attacked it as being propagandist. Whitelaw, Lis. The Life and Rebellious Times of Cicely Hamilton. Women’s Press. 88 |
Performance of text | Cicely Hamilton | The premiere of CH
's suffrage drama A Pageant of Great Women, with direction and some collaboration by Edith Craig
, was given at the Scala Theatre
in London. Cockin, Katharine. Edith Craig (1869-1947): Dramatic Lives. Cassell. 220 Cockin, Katharine. Edith Craig (1869-1947): Dramatic Lives. Cassell. 82-3 Cockin, Katharine. “Cicely Hamilton’s Warriors: dramatic reinventions of militancy in the British women’s suffrage movement”. Women’s History Review, Vol. 14 , No. 3/4, pp. 527-42. 529 |
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