McDowell, Paula. The Women of Grub Street: Press, Politics, and Gender in the London Literary Marketplace, 1678-1730. Clarendon.
277
Connections | Author name Sort descending | Excerpt |
---|---|---|
Literary responses | Delarivier Manley | |
Textual Production | Delarivier Manley | Her brief in this paper was again to attack the Whigs. Her first number appeared five days after Addison
's Spectator number 81, which sought to decry and put a stop to Party-Rage in Women. McDowell, Paula. The Women of Grub Street: Press, Politics, and Gender in the London Literary Marketplace, 1678-1730. Clarendon. 277 |
Intertextuality and Influence | Anna Miller | Along with works of art she describes, but more briefly, the way of life of places she passes through. She has, however, little sympathy with working people's needs. She remarks that actresses and dancers have... |
Occupation | John Milton | As to poetry, Paradise Lost was quickly recognised as a classic. In 1674, while it was still a very recent text, Dryden
praised it as undoubtedly one of the greatest, most noble, and most sublime... |
Textual Production | Lady Mary Wortley Montagu | LMWM
wrote an epilogue (not used on stage) to Joseph Addison
's famous tragedy, Cato. Montagu, Lady Mary Wortley. Essays and Poems and Simplicity, A Comedy. Editors Halsband, Robert and Isobel Grundy, Oxford University Press. 180 |
Friends, Associates | Lady Mary Wortley Montagu | Lady Mary claimed that at every stage of her life she picked a few intimate friends and cared little for the opinions of anyone else. She always retained the highest opinion of her father's and... |
Intertextuality and Influence | Lady Mary Wortley Montagu | Her widow is President of a club of widows which had featured in the recent number 561, by Addison
. Montagu's heroine, sold into marriage at an early age, has resolved to exploit as the... |
Textual Production | Judith Sargent Murray | The future JSM
wrote a history (probably fiction) when she was nine, which years later she disparaged as an imbecile effusion. Skemp, Sheila L. Judith Sargent Murray. A Brief Biography with Documents. Bedford Books. 95 |
Intertextuality and Influence | Judith Sargent Murray | In her usual formal style, which she does not adapt to the more usual conventions of epistolarity, she says it would be useless for her to give Winthrop the current domestic, and commercial intelligence, Skemp, Sheila L. Judith Sargent Murray. A Brief Biography with Documents. Bedford Books. 137 |
Intertextuality and Influence | Sarah Murray | This volume opens with The Plan of a School, and then, continuing a story-line from volume one, with Mrs Wheatley's demanding of Miss Le Maine how she can use rouge and plume herself on... |
Intertextuality and Influence | Sarah Pearson | An introductory address To the Reviewers urges them (with the trembling deemed appropriate for a woman writer) not to read the book in the morning but in the period of good humour after dinner. Pearson, Susanna. The Medallion. G. G. and J. Robinson. 1: 7-8 |
Textual Features | Frances Arabella Rowden | An advertisement (dated at Iver in Buckinghamshire on 3 September 1820) Rowden, Frances Arabella. A Biographical Sketch of the Most Distinguished Writers of Ancient and Modern Times. 1829, iv |
Textual Production | Elizabeth Singer Rowe | An Expostulatory Epistle to Sir Richard Steele
upon the Death of Mr. Addison, published in February 1720 by a Lady, is attributed to ESR
in a contemporary note on the title-page of a... |
Intertextuality and Influence | Sarah, Lady Cowper | The diary's first volume opens with a preface which expresses conventional modesty bluntly, without the customary effort at elegance or grace: Books generally begin with a Preface which draws in the Reader to go on... |
Intertextuality and Influence | Mary Savage | The opening poem, Nothing New, situates the anxieties of authors in regard to critics in the tradition of anxieties of lovers: both are right to be anxious. The contents include an English translation of... |
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