McDowell, Paula. The Women of Grub Street: Press, Politics, and Gender in the London Literary Marketplace, 1678-1730. Clarendon.
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Connections Sort ascending | Author name | Excerpt |
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Textual Production | Delarivier Manley | Her brief in this paper was again to attack the Whigs. Her first number appeared five days after Addison
's Spectator number 81, which sought to decry and put a stop to Party-Rage in Women. McDowell, Paula. The Women of Grub Street: Press, Politics, and Gender in the London Literary Marketplace, 1678-1730. Clarendon. 277 |
Textual Features | Frances Arabella Rowden | An advertisement (dated at Iver in Buckinghamshire on 3 September 1820) Rowden, Frances Arabella. A Biographical Sketch of the Most Distinguished Writers of Ancient and Modern Times. 1829, iv |
Textual Features | Eliza Haywood | This magazine has a second supposed author: the parrot, who is male. This creature, born in Java, has seen the world, since its long life has been spent with fifty-five different families successively. Though not... |
Textual Features | Frances Brooke | Mary Singleton, supposed author of this paper, with its trenchant comments on society and politics, is an unmarried woman on the verge of fifty, McMullen, Lorraine. An Odd Attempt in a Woman: The Literary Life of Frances Brooke. University of British Columbia Press. 14 |
Textual Features | Vernon Lee | The author chose as her narrator and central subject a Roman coin stamped with the image of the emperor Hadrian
, which is possessed by a series of characters including a gladiator, Renaissance artist Guido Reni |
Textual Features | Sarah Fielding | David Simple predates all fictional work by Samuel Johnson
and all but the earliest works by Henry Fielding
and Samuel Richardson
, which are sometimes mistakenly spoken of as its models. It may be seen... |
Textual Features | Janet Little | She consistently takes a challenging stance in face of authority. Ironically (in view of Johnson's championing of women writers and Burns's snobbish attitude about herself) she uses Samuel Johnson
as a symbol of the tyrant-critic... |
Textual Features | Margaret Forster | The novel opens arrestingly as the child Gwen and her siblings struggle back into their house from a walk in wild and stormy weather. Gwen's later-famous brother is called Gus, not Augustus
, to forestall... |
Textual Features | Susanna Watts | The title-page quotes Pope
, who also (with his Messiah) stands first among the contents. Some pieces are unascribed; others are by Byron
(The Isles of Greece), Jane Taylor
(The Squire's... |
Reception | Eliza Haywood | In 1795, by which time the novel was generally disapproved as coarse and sexually explicit, a correspondent of the Eleanor Butler
and Sarah Ponsonby
defended it in terms which acknowledged its indelicate language and its... |
Reception | Elizabeth Helme | The Critical reviewed this novel two months after publication. It goes unmentioned by Virgil B. Heltzel
in Fair Rosamond. A Study of the Development of a Literary Theme, 1947. Those preceding Helme in treating... |
Occupation | John Milton | As to poetry, Paradise Lost was quickly recognised as a classic. In 1674, while it was still a very recent text, Dryden
praised it as undoubtedly one of the greatest, most noble, and most sublime... |
Literary responses | Delarivier Manley | |
Intertextuality and Influence | Martha Fowke | These poems reflect social life and perhaps the company of lawyers in the London of about 1720. Guskin, Phyllis J. “’Not Originally Intended for the Press’: Martha Fowke Sansom’s Poems in the Barbados Gazette”. Eighteenth-Century Studies, Vol. 34 , No. 1, pp. 61-91. 66 |
Intertextuality and Influence | Anna Miller | Along with works of art she describes, but more briefly, the way of life of places she passes through. She has, however, little sympathy with working people's needs. She remarks that actresses and dancers have... |
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