Augusta Gregory

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Standard Name: Gregory, Augusta
Birth Name: Isabella Augusta Persse
Married Name: Isabella Augusta Gregory
Titled: Isabella Augusta, Lady Gregory
Pseudonym: Angus Grey
Pseudonym: An Irish Landlord
Used Form: Lady Augusta Gregory
Augusta Gregory was a highly energetic and creative force in the Irish Literary Revival, which began in the late nineteenth century. Material from her collections and translations of Irish folklore, epics, and oral poetry inspired new literary works by herself and others. At the age of fifty, she began writing plays for the Abbey Theatre , which she co-founded and co-directed. Her skill at rendering idiomatic conversation, honed through years of listening to the stories told to her by country people in county Galway, is evident throughout her writing. In addition to her drama and folklore, Lady Gregory wrote several articles on Irish politics and culture, two memoirs, a history of the Abbey Theatre, diaries, and an autobiography. As a nationalist with an identity grounded in the ruling class, she can be seen as a colonialist reformer.

Connections

Connections Author name Sort ascending Excerpt
Leisure and Society Martin Ross
She also led a busy social life: she attended the wedding of Augusta, Lady Gregory .
Collis, Maurice. Somerville and Ross: A Biography. Faber and Faber.
22
Textual Production Martin Ross
MR resisted a pressing invitation from W. B. Yeats and Lady Gregory to write a play with them for the Abbey Theatre in Dublin. She needed her writings to earn money, but a probably stronger...
Textual Production Charlotte O'Conor Eccles
The first edition appears not to have survived. The League, founded on 31 July 1893 and associated with Augusta Gregory , had cultural aims originally but had also adopted a political role.
Theme or Topic Treated in Text Kate O'Brien
KOB refers to women writers here and there in her text—casually to Daisy Ashford and Nancy Mitford , admiringly to Maria Edgeworth and Lady Gregory (the latter admittedly for her life rather than her writings)—and...
Friends, Associates Marie Belloc Lowndes
MBL was an early member of Mary Cholmondeley 's Give and Take Club for women writers, and a founding member of another women's luncheon club, the Thirty . This included women from all walks of...
Friends, Associates Emily Lawless
Lawless made a number of other friends, acquaintances, and admirers through her writing, including Margaret Oliphant , an early friend and critic, Rhoda Broughton , George Meredith , Aubrey de Vere , Mary Augusta Ward
Textual Production Maud Gonne
The United Irishman published the text of MG 's own play, Dawn, A Play in One Act and Three Tableaux, about the Great Famine of the 1840s, two years after she appeared in the...
Textual Production Maud Gonne
MG published her ironically-titled autobiography, A Servant of the Queen. The queen here is not the British monarch, but Cathleen Ni Houlihan the mythological queen and personification of Ireland, whom MG played in...
Occupation Maud Gonne
MG played the heroine in Augusta Gregory 's and Yeats 's Cathleen ni Houlihan in the Irish National Theatre 's production, opening on 2 April 1902. This role made her a symbol of the nation.
Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford.
McGuire, James, and James Quinn, editors. Dictionary of Irish Biography. http://dib.cambridge.org/.
Family and Intimate relationships Florence Farr
They separated after four years, when Emery left for America. He became a successful actor there, and eventually remarried. Their reasons for separating are not clear, and FF rarely mentioned him after he left. Years...
Occupation Florence Farr
The lecture proved quite popular, and Clifford's Inn had to turn people away. Over the following years, FF put on many such readings, performing works by Homer , Shelley , Yeats , Lady Gregory ...
Family and Intimate relationships Leonora Carrington
Like her mother, LC took pride in her maternal family history and enjoyed her experiences with relatives, especially her grandmother Mary Monica Moorhead . From her maternal grandmother LC learned about their genealogical connection to...
Literary responses Charlotte Brooke
CB was warmly appreciated in Ireland. She influenced there a parallel effort to preserve traditional music as she had preserved traditional words: that of Edward Bunting , who edited in 1796 the first volume...
Family and Intimate relationships Lady Cynthia Asquith
Her husband took great interest in other women and was frequently unfaithful. Having married him somewhat reluctantly, she, too, conducted an emotional life elsewhere: Beauman writes that she became pregnant by the writer Wilfrid Blunt

Timeline

No timeline events available.

Texts

Gregory, Augusta. The Full Moon. Published by the author at the Abbey Theatre, 1911.
Gregory, Augusta. The Gaol Gate. Maunsel, 1906.
Gregory, Augusta. The Golden Apple. John Murray; G. P. Putnam’s Sons, 1916.
Gregory, Augusta. The Image. Maunsel, 1910.
Gregory, Augusta. The Image, and Other Plays. G. P. Putnam’s Sons, 1922.
Gregory, Augusta. The Kiltartan History Book. Maunsel, 1909.
Gregory, Augusta. The Kiltartan Molière. Maunsel, 1910.
Gregory, Augusta. The Kiltartan Poetry Book. Cuala Press, 1918.
Gregory, Augusta. The Kiltartan Wonder Book. Maunsel, 1910.
Gregory, Augusta. The Story Brought by Brigit. G. P. Putnam’s Sons, 1924.
Yeats, W. B., and Augusta Gregory. The Unicorn from the Stars, and Other Plays. Macmillan, 1908.
Gregory, Augusta. The White Cockade. Maunsel, 1905.
Gregory, Augusta. Three Last Plays. G. P. Putnam’s Sons, 1928.
Gregory, Augusta. Three Wonder Plays. G. P. Putnam’s Sons, 1922.
Gregory, Augusta, and W. B. Yeats. Visions and Beliefs in the West of Ireland. G. P. Putnam’s Sons, 1920.