Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols.
1: 684
Connections Sort descending | Author name | Excerpt |
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Dedications | Anna Maria Mackenzie | AMM
made her only use of a pseudonym, Ellen of Exeter, to publish another gothic Minerva Press
novel, The Neapolitan, or The Test of Integrity, dedicated to the dramatist Richard Cumberland
. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 1: 684 |
Education | Anna Eliza Bray | Miss Wrather was both her godmother and cousin. She later remembered her teacher's strict discipline and her own complete lack of interest in her studies; she recalls as well crying herself to sleep at night... |
Literary responses | Catherine Gore | Reviews, like that in the Athenæum, were good in the main, and singled out the dialogue for praise even if critical of the character drawing, the plotting, or the level of finish. The Times... |
Literary responses | Charlotte Lennox | The audience was huge: the theatre took in £234, nine shillings, one of the biggest takes of the month. But it included a cabal who hissed and catcalled, being either provoked by the playwright's gender... |
Literary responses | Hannah More | |
Textual Features | Maria Riddell | MR
's own twenty poems include prefatory verses as editor, written for the occasion. She prints work by the late Henrietta O'Neill
(the well-known Ode to the Poppy), Georgiana Duchess of Devonshire
(St... |
Textual Production | Elizabeth Thomas | Elizabeth Thomas
signed the introduction by her former pseudonym, Martha Homely. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 2: 240 |
Textual Production | Lady Caroline Lamb | An odd spin-off from LCL
's desire to make herself into a professional writer was her project for a pocket diary or almanac. These ephemeral publications were repositories of useful information of many kinds as... |
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