Black, Helen C. Pen, Pencil, Baton and Mask: Biographical Sketches. Spottiswoode.
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Connections Sort descending | Author name | Excerpt |
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Residence | Mary Anne Duffus Hardy | MADH
called herself a Londoner pur et simple, having lived all her life there except for a few early married years at Addlestone (near Weybridge in Surrey). She spent many years at a pretty... |
Residence | Dorothea Gerard | The teenage DG
's mother died, and she went to live with her recently married sister Emily de Laszowski
at Brzezno in the Austro-Hungarian province of Galicia(now Berezhany, Ukraine, called Brzezany by Helen C. Black |
Residence | Jean Middlemass | For much of her adult life JM
lived in Brompton Square, London (which, as noted by biographer Helen Black
, has been inhabited by many famous literary and dramatic personalities). Black describes the Middlemass home... |
Residence | Matilda Betham-Edwards | She had there a little house at one end of a picturesque terrace. When Helen C. Black
visited her there, her upstairs study was furnished with a Moroccan carpet, pottery from Greece and other countries... |
Textual Features | L. T. Meade | Helen Black
wrote of this book that the characters were all more or less drawn from people whom she knew. Black, Helen C. Pen, Pencil, Baton and Mask: Biographical Sketches. Spottiswoode. 225 |
Textual Features | Mary Angela Dickens | |
Textual Features | Jean Middlemass | According to Helen C. Black
, this work shows how Middlemass worked: by penetrating into the haunts of the poorest section of humanity in order to depict naturally and truthfully the scenes so touchingly described... |
Textual Production | Charlotte Riddell | CR
published another of her several novels about the business world, The Senior Partner, which Helen C. Black
rated entrancing. Black, Helen C. Notable Women Authors of the Day. D. Bryce. 20 |
Textual Production | Rosa Nouchette Carey | In an interview of 1893, Helen C. Black
described RNC
as tall, slender, and erect with large blue-grey eyes with long lashes,soft dark hair, and a low, tuneful voice. Black, Helen C. Notable Women Authors of the Day. Maclaren. 147-8 |
Textual Production | Charlotte Riddell | CR
told Helen Black
, I never remember the time . . . when I did not compose. Black, Helen C. Notable Women Authors of the Day. D. Bryce. 19 |
Textual Production | Charlotte Riddell | The Moors and the Fens was marked by the fact that CR
was writing it while her mother was dying. Ellis, Stewart Marsh. Wilkie Collins, Le Fanu, and Others. Books for Libraries Press. 272 |
Textual Production | L. T. Meade | LTM
published A World of Girls: The Story of a School, which Helen C. Black
called her most successful book. Athenæum. J. Lection. 3081 (1886): 632 British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. Black, Helen C. Pen, Pencil, Baton and Mask: Biographical Sketches. Spottiswoode. 228 |
Textual Production | B. M. Croker | BMC
told journalist Helen Black
that she loved writing, and loved hearing from readers that she had given them pleasure. She liked to get up early, and when engrossed in a novel could work for... |
Textual Production | Annie S. Swan | This firm caught her by advertising for manuscripts. Helen C. Black
recorded that this first book took a long time for ASS
to write. She had to cut it again and again in draft. She... |
Textual Production | Mrs Alexander | She seems to have have chosen anonymity and secrecy because she began writing in the knowledge that her husband would disapprove. She wanted money to help her father out, also against her husband's wishes, and... |
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