Fyge, Sarah. Poems on Several Occasions. J. Nutt.
22
Connections | Author name Sort descending | Excerpt |
---|---|---|
Textual Production | Ann Fisher | No copy of the first edition is known to be extant. The extremely long title continues An Accurate New Spelling Dictionary and Complete English Expositor: containing a much larger collection of words than any book... |
Intertextuality and Influence | Frances Seymour, Countess of Hertford | Hertford's Story of Inkle and Yarrico delivers the bare bones of the story. Thomas Inkle, an ambitious young English tradesman sailing to the Caribbean to seek his fortune, is shipwrecked en route. As a lone... |
Intertextuality and Influence | Sarah Fyge | In Lady Campbell, with a Female Advocate, SF
calls her first published work fatal: Go, fatal book, she writes, Fyge, Sarah. Poems on Several Occasions. J. Nutt. 22 |
Intertextuality and Influence | Hélène Gingold | One of the stories, A Modern Orpheus, revisits the Greek myth related by Ovid
and others, with a man named Jones playing the Greek hero's Victorian counterpart. The Thracian poet and musician who attempted... |
Intertextuality and Influence | Sarah Green | This preface is headed by two Latin words (one with a faulty grammatical ending) from Ovid
's description of chaos. SG
slams both male and female novelists, chiefly authors of gothic or horrid novels and... |
Intertextuality and Influence | Sarah Green | The plot owes something to Charlotte Lennox
's Female Quixote. The father of Green's heroine has lived through many crazes for novelists: first Burney
, then Radcliffe
, then Owenson
, then Rosa Matilda |
Intertextuality and Influence | Ann Hatton | The title-page quotes Ovid
and the first chapter is headed by Byron
. The convoluted Italian plot of action and mystery opens with a vivid, modern-seeming summer scene suddenly intruded on by horror. The young... |
Intertextuality and Influence | Eliza Haywood | |
Textual Production | A. E. Housman | Without an academic position, AEH
made himself in his spare time the leading classical textual editor of his generation. The edition of Propertius
which he worked at from his student days onwards was never published... |
Textual Production | Lucy Hutchinson | LH
's Commonplace Book includes prose notes on religious topics, and long passages of poetry, most of it by other people, and much of it translated. She translated some of Ovid
's amorous Heroides herself... |
Occupation | Elizabeth Isham | Her needlework included doing Irish stitch, tent stitch, and purse-work, making bone lace and bodices, and knitting stockings, and she often gathered flowers in order to copy them in stitching. Isham, Elizabeth. “Diary”. Constructing Elizabeth Isham. 1636 Isham, Elizabeth. “Booke of Rememberances”. Constructing Elizabeth Isham, edited by Elizabeth Clarke. 26r |
Education | Anna Kingsford | She was an avid reader from her youth up and enjoyed free access to her father's library. She devoured various translations from the classics—notably the Metamorphoses of Ovid
—and assimilated the contents of Lemprière
and... |
Author summary | Judith Cowper Madan | JCM
(formerly Judith Cowper), like almost all of her relations, was a frequent writer of occasional poetry. Most of her surviving poems, and all the major ones, date from about 1720-8, that is from either... |
Literary Setting | Delarivier Manley | The New Atalantis is crammed with offensive personal attacks on individuals (women as well as men); most though not all of them pertain to the misuse of political or sexual power. Particularly notorious is the... |
Textual Features | Delarivier Manley | DM
writes of herself as an expert in love, despite what she describes as her unalluring appearance. She presents herself, however, through men's eyes and as a topic of male gossip (in contrast with the... |
No timeline events available.
No bibliographical results available.