Jane Austen
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Standard Name: Austen, Jane
Birth Name: Jane Austen
Pseudonym: A Lady
Styled: Mrs Ashton Dennis
JA
's unequalled reputation has led academic canon-makers to set her on a pedestal and scholars of early women's writing to use her as an epoch. For generations she was the first—or the only—woman to be adjudged major. Recent attention has shifted: her balance, good sense, and humour are more taken for granted, and critics have been scanning her six mature novels for traces of the boldness and irreverence which mark her juvenilia. Her two unfinished novels, her letters (which some consider an important literary text in themselves), and her poems and prayers have also received some attention.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Samuel Richardson | Innumerable women novelists later conducted a dialogue (some admiring, some rebutting or revising) with SR
. Few could ignore his influence completely. Frances Brooke
wrote his biography; Anna Letitia Barbauld
edited his letters, and Jane Austen |
Intertextuality and Influence | Frances Sarah Hoey | Miriam finds local gossip that Florence is attempting to entrap her father ludicrous, and describes it as a comic parallel to Vanity Fair, with Florence not as Becky Sharp but as Amelia having to... |
Intertextuality and Influence | Margaret Kennedy | MK
found the inspiration for this novel in Jane Austen
's satire of gothic melodrama, Northanger Abbey. The tragic melodrama of this novel's love stories, however, brings it closer to the actual gothic tradition... |
Intertextuality and Influence | Penelope Lively | Some stories are neatly turned but may seem a little perfunctory, like Abroad, about entitled young people, or Mrs Bennet after Austen
's character, about the continuing pressure for girls to marry or for... |
Intertextuality and Influence | Sarah Harriet Burney | Lorna J. Clark, editor of SHB
's letters, notes the abundant portrayal in her novels of dysfunctional families. Burney, Sarah Harriet. “Editor’s Introduction”. The Letters of Sarah Harriet Burney, edited by Lorna J. Clark, Georgia University Press, 1997. lviii-lix |
Intertextuality and Influence | Margaret Kennedy | Kennedy once again found her inspiration for this novel in the model of Jane Austen
. For Troy Chimneys, she extracted parts of the letters which Austen wrote to her sister, Cassandra
. Powell, Violet. The Constant Novelist. W. Heinemann, 1983. 187 |
Intertextuality and Influence | Ivy Compton-Burnett | This was a new influence added to those of the Victorian novelists (especially the women), Shakespeare
, and Jane Austen
, whom she admired extravagantly (Even her dull scraps are music to me)... |
Intertextuality and Influence | Antonia Fraser | Fraser quotes here from Eliot
's tribute in Middlemarch to the silent influence of those who lived faithfully a hidden life, and rest in unvisited tombs. qtd. in Fraser, Antonia. The Weaker Vessel: Woman’s Lot in Seventeenth-Century England. Methuen, 1985. xiii |
Intertextuality and Influence | Charlotte Smith | CS
's biographer Loraine Fletcher
gives a whole chapter to Austen
's response to her work. Fletcher, Loraine. Charlotte Smith: A Critical Biography. Macmillan, 1998. 303-17 |
Intertextuality and Influence | Lucy Walford | In Recollections of a Scottish Novelist, LW
records her early love of literature. The books she read as a child, especially at the age of seven—including Charlotte Yonge
's The Little Duke, works... |
Intertextuality and Influence | Elizabeth Ham | The story opens with the young Englishwoman Rhoda Ford (the unbeautiful one of two sisters) and her family in the west of Ireland, where her father has an entrepreneurial scheme. They try to come... |
Intertextuality and Influence | E. B. C. Jones | The book positions itself in relation to cultural, social and emotional markers that are not those of a majority in later times. Helen and Felicia read Northanger Abbey aloud, and Helen admits it to be... |
Intertextuality and Influence | Ann Radcliffe | This novel marks AR
's first big success. It drew widespread critical acclaim. Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press, 1999. 83 |
Intertextuality and Influence | Margaret Atwood | The world before is a slightly exaggerated and unmercifully satirised version of today's reality: gated communities, vertiginous inequalities, frequently mutating viruses, sadistic pornography online, and commodification of everything. True to Atwood's principles, she finds the... |
Intertextuality and Influence | Ali Smith | Like most of AS
's work, this novel is playfully self-reflexive in its adherence to typical story structure. In a formulaic breakdown of essential narrative parts, The Accidental has a prescribed Beginning, Middle... |
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