Women’s Writing in the British Isles from the Beginnings to the Present
Jane Austen
-
Standard Name: Austen, Jane
Birth Name: Jane Austen
Pseudonym: A Lady
Styled: Mrs Ashton Dennis
JA
's unequalled reputation has led academic canon-makers to set her on a pedestal and scholars of early women's writing to use her as an epoch. For generations she was the first—or the only—woman to be adjudged major. Recent attention has shifted: her balance, good sense, and humour are more taken for granted, and critics have been scanning her six mature novels for traces of the boldness and irreverence which mark her juvenilia. Her two unfinished novels, her letters (which some consider an important literary text in themselves), and her poems and prayers have also received some attention.
The title-page quotes and very slightly alters four lines from Pope
beginning What gay ideas crowd the vacant brain,
Gore, Catherine. Mothers and Daughters. Bentley.
title-page
but whereas Pope's imaginary Teresa Blount
was daydreaming idly and innocently of the dukes and...
Intertextuality and Influence
P. D. James
Commander Adam Dalgliesh does his detecting this time in the claustrophobic confines of a theological college, in one of [James's] favourite places—the isolated, beautiful, but desolate Suffolk coast.
Ashby, Melanie. “P. D. James Talks to Melanie Ashby”. Mslexia, Vol.
14
, pp. 39-40.
39
Despite the old-fashioned setting, the plot...
Intertextuality and Influence
Harriet Martineau
Writing to Mary Russell Mitford
of her hope that they might meet, HM
acknowledged the influence which the spirit of your writings has had over me.
L’Estrange, Alfred Guy Kingham, editor. The Friendships of Mary Russell Mitford as Recorded in Letters from Her Literary Correspondents. Hurst and Blackett.
Innumerable women novelists later conducted a dialogue (some admiring, some rebutting or revising) with SR
. Few could ignore his influence completely. Frances Brooke
wrote his biography; Anna Letitia Barbauld
edited his letters, and Jane Austen
Intertextuality and Influence
E. B. C. Jones
The book positions itself in relation to cultural, social and emotional markers that are not those of a majority in later times. Helen and Felicia read Northanger Abbey aloud, and Helen admits it to be...
Intertextuality and Influence
Frances Brooke
She thought it had been too long, with too little plot, and that the subscription method had not been to its benefit. Critic Juliet McMaster
believes that Jane Austen
had Emily Montague in mind in...
Intertextuality and Influence
Ali Smith
Like most of AS
's work, this novel is playfully self-reflexive in its adherence to typical story structure. In a formulaic breakdown of essential narrative parts, The Accidental has a prescribed Beginning, Middle...
Intertextuality and Influence
Angela Carter
The opening parodies that of Austen
's Emma.
“Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC.
207
The novel is both gothic and parody gothic, and uses science fiction as a vehicle for the discussion of ideas. The story is told from...
Intertextuality and Influence
Catherine Gore
The title-page quotes the passage in Swift
's Gulliver's Travels where the King of Brobdingnag hears from Gulliver about English politics and marvels that human grandeur can be mimicked by such contemptible insects.
Gore, Catherine. The Hamiltons; or, Official Life in 1830. R. Bentley.
title-page
The...
Intertextuality and Influence
Patricia Beer
This collection shows a deliberate inclination towards subjects whose strangeness startles the reader with an unexpected perspective. The title of the book is a phrase applied to the audience in Concert at Long Melford Church...
Intertextuality and Influence
Susan Ferrier
The Inheritance opens with what sounds like an allusion to Jane Austen
: It is a truth, universally acknowledged, that there is no passion so deeply rooted in human nature as that of pride.
Cullinan, Mary. Susan Ferrier. Twayne.
75
Intertextuality and Influence
Elizabeth Inchbald
The Critical covered EI
's version (which had a staggering run of forty-two performances) and Stephen Porter's in the same review.
Critical Review. W. Simpkin and R. Marshall.
2d ser. 24 (1798): 431
It was Inchbald's translation round which Jane Austen
built...
Intertextuality and Influence
L. E. L.
The story opens with a situation borrowed from Jane Austen
's Pride and Prejudice: a mother desperate to get five daughters safely married because the family estate is entailed away in default of a...
Intertextuality and Influence
Catherine Gore
Like its predecessor, this novel recalls Jane Austen
, but this time the plot (at least the earlier part) is closer to that of Sense and Sensibility. Marcia, a sensible elder sister, makes a...
Intertextuality and Influence
Lucy Walford
In Recollections of a Scottish Novelist, LW
records her early love of literature. The books she read as a child, especially at the age of seven—including Charlotte Yonge
's The Little Duke, works...
