Jane Austen

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Standard Name: Austen, Jane
Birth Name: Jane Austen
Pseudonym: A Lady
Styled: Mrs Ashton Dennis
JA 's unequalled reputation has led academic canon-makers to set her on a pedestal and scholars of early women's writing to use her as an epoch. For generations she was the first—or the only—woman to be adjudged major. Recent attention has shifted: her balance, good sense, and humour are more taken for granted, and critics have been scanning her six mature novels for traces of the boldness and irreverence which mark her juvenilia. Her two unfinished novels, her letters (which some consider an important literary text in themselves), and her poems and prayers have also received some attention.
Photograph of a colourized print of Jane Austen, from a drawing by a Mr Andrews commissioned by Austen's nephew James Edward Austen Leigh as frontispiece to his "Memoir of Jane Austen", 1870 (fifty years after she died). She is shown seated, with a book on her lap, wearing a blue dress and light brown bonnet.

Connections

Connections Author name Excerpt
Textual Production Sarah Tytler
In a single volume, ST 's Jane Austen and Her Works offered a short biography and a plot summary of the major novels, interspersed with critical commentary.
OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999.
Tytler, Sarah. Jane Austen and Her Works. Cassell, Petter, Galpin, 1880.
prelims
Textual Production Naomi Royde-Smith
NRS published a largely epistolary novel which is designed as a companion piece to Jane Austen 's Emma. Entitled Jane Fairfax: A New Novel, it is written in a pastiche of early-nineteenth-century style.
Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true.
Textual Production Eliza Parsons
EP 's second gothic novel, The Mysterious Warning, A German Tale (another favourite of Austen 's Isabella Thorpe), appeared, with a frontispiece and dedication to the new Princess of Wales.
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols.
1: 687-8
Textual Production Kathleen E. Innes
KEI 's Hampshire Pilgrimages: Men and women who have sojourned in Hampshire, presented brief lives of Austen , Charlotte Mary Yonge , Florence Nightingale , Gilbert White , William Cobbett , and Joseph Stevens .
Harvey, Kathryn. "Driven by War into Politics": A Feminist Biography of Kathleen Innes. University of Alberta, 1995.
216
Textual Production Emma Tennant
ET published two more sequels: Emma in Love, Jane Austen 's Emma Continued, and Elinor and Marianne, A Sequel to Sense and Sensibility.
Tennant, Emma. Emma in Love. Fourth Estate, 1996.
Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true.
Textual Production Ali Smith
In addition to these collaborative works, AS has published an anthology of her own favourite texts, those she sees as essential to her development as a writer. Published twice under different titles—The Reader (2006)...
Textual Production Kathleen E. Innes
Of about a dozen other books in the series, this work was the only one written by a woman about a woman writer. Royds situates Barrett Browning within a strong tradition of women writers including...
Textual Production Ling Shuhua
LS read widely and intended to translate fiction by other Anglophone authors. In 1932, she began translating Austen 's Pride and Prejudice, but halted the project when she learned that one of her better-known...
Textual Production Catherine Gore
In The Cabinet MinisterCG borrowed the foundations of a plot from Jane Austen once more, in the story of an impoverished sister and brother, Bessy and Frank Grenfell, brought up out of reluctant charity...
Textual Production Joan Aiken
JA published Mansfield Revisited, A Novel, a sequel to Austen 's Mansfield Park and a harbinger of escalation in fiction of this type.
“Joan Aiken”. Fantastic Fiction.
Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true.
Textual Production Ruth Prawer Jhabvala
Jane Austen in Manhattan was shot on location in New York for Merchant-Ivory Productions , with RPJ 's screenplay.
Long, Robert Emmet. The Films of Merchant Ivory. Harry N. Abrams, 1991.
108
Sucher, Laurie. The Fiction of Ruth Prawer Jhabvala: The Politics of Passion. Macmillan, 1989.
240
Textual Production Alice Meynell
She often used this column to address the works of literary women of the past. She judged Jane Austen inferior to Charlotte Brontë , accepting Brontë's opinion that Austen lacked what she, by implication, possessed:...
Textual Production Fay Weldon
FW 's five-part dramatisation of Jane Austen 's Pride and Prejudice was screened.
Halio, Jay L., editor. Dictionary of Literary Biography 14. Gale Research, 1982–1983.
14: 752
Textual Production Emma Parker
The title-page quoted Pope 's dictum that woman's a contradiction still.
Parker, Emma. Elfrida, Heiress of Belgrove. B. Crosby, 1811, 4 vols.
title-page
qtd. in
Feminist Companion Archive.
The publisher was Crosby (who at this date was holding Jane Austen 's Susan unpublished), and booksellers at Wrexham and Liverpool were mentioned...
Textual Production Emma Tennant
In the same year she published Tess, which is based on and continues the story of Hardy 's Tess of the d'Urbervilles.
British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo.
She followed these the next year with a return to Austen

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