Samuel Taylor Coleridge

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Standard Name: Coleridge, Samuel Taylor

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Lydia Howard Sigourney
Unlike a volume by the same title which she published in 1827, this one included new poetry as well as former contributions to magazines. Her preface mentions the influence exercised over her by Coleridge ...
Intertextuality and Influence A. S. Byatt
Charlotte Brontë 's poem We wove a web in childhood appears as epigraph, along with a sentence from Coleridge about the serpent as emblem of the imagination.
Byatt, A. S. The Game. Chatto and Windus.
4
Both web and serpent are ominous. This...
Intertextuality and Influence Dorothy Wordsworth
DW 's Alfoxden journal, written in close association with both William Wordsworth and Coleridge , filtered into the poetry of each. Her phrases surface in The Ancient Mariner (whose restless gossamers come from her restless...
Intertextuality and Influence Emma Robinson
ER claims to be merely the editor here of an original source. As she tells it in the preface, while doing research for Owen Tudor she happened on some curious particulars that explained everything she...
Intertextuality and Influence Anna Jane Vardill
AJV is remarkably successful in catching Coleridge 's diction and manner, as several commentators noted. Lord Leoline sat in the chair of pride, / The white-armed stranger by his side. She also captures the sinister...
Intertextuality and Influence F. Mabel Robinson
The title-page bears a quotation from Samuel Taylor Coleridge 's Love about a fiend with the appearance of an angel beautiful and bright.
Robinson, F. Mabel. The Plan of Campaign. Methuen.
title-page
In the novel, set in Ireland, politics are a constant...
Intertextuality and Influence Felicia Hemans
The volume takes its epigraphs and historical starting-points from a wide range of sources, including major male Romantics—Wordsworth , Byron , Coleridge , Goethe , Schiller —and lesser-known contemporaries including women—Elizabeth Ogilvy Benger
Intertextuality and Influence A. S. Byatt
She thought of the title and the central idea for the novel in the British Library, watching that great Coleridge scholar, Kathleen Coburn , and thinking of the poet possessing his critic, and of the...
Intertextuality and Influence Mary Russell Mitford
MRM was working on this poem by July 1810.
Mitford, Mary Russell. The Life of Mary Russell Mitford: Told by Herself in Letters To Her Friends. Editor L’Estrange, Alfred Guy Kingham, Harper and Brothers.
1: 91
She submitted it in manuscript to Samuel Taylor Coleridge for criticism and suggestions. He suggested some cuts, most of which she happily agreed to...
Literary responses Felicia Hemans
Wordsworth in 1837 revised his existing Extempore Effusion upon the Death of James Hogg to include a stanza describing FH as that holy Spirit / Sweet as the spring, as ocean deep.
Wordsworth, William. The Complete Poetical Works of Wordsworth. Editor George, Andrew J., Houghton Mifflin.
737
Although his...
Literary responses Charlotte Smith
Coleridge (though he was later respectful of CS 's sonnets) was surely aiming at her in his Nehemiah Higginbottom sonnet parodies in the Monthly Magazine.
Raycroft, Brent. “From Charlotte Smith to Nehemiah Higginbottom: Revising the Genealogy of the Early Romantic Sonnet”. European Romantic Review, Vol.
9
, No. 3, pp. 363-92.
363, 381
Literary responses Frances Arabella Rowden
Rowden's poem was reviewed by the Critical (3rd series 20 (May 1810): 112). Mary Russell Mitford read the first canto with high appreciation and admiration that increase[d] with every perusal. She expected it to rank...
Literary responses Charlotte Smith
Coleridge , in the preface to the second edition of his Poems, named CS and William Lisle Bowles as having served the cause of poetry by reviving the sonnet.
Fletcher, Loraine. Charlotte Smith: A Critical Biography. Macmillan.
266
Literary responses Maria Edgeworth
In the year of publication Charles Pictet translated Practical Education into French for serialisation in the influential periodical Bibliothèque Brittanique, published in Geneva by himself and his brother Marc-Auguste . This began a campaign...
Literary responses Dorothy Wellesley
Yeats admired this volume for its explorations of the picturesque, for its love . . . for undisturbed Nature, a hatred for the abstract, the mechanical, the invented, and for an intensity which he saw...

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