Caine, Barbara. Victorian Feminists. Oxford University Press.
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Connections Sort ascending | Author name | Excerpt |
---|---|---|
Literary responses | Emily Davies | Frances Power Cobbe
thought this book capital and reported herself delighted by the sense, and the fun! Your quick bits of sarcasm are impayable [sic]. Caine, Barbara. Victorian Feminists. Oxford University Press. 76 |
Literary responses | Percy Bysshe Shelley | For generations PBS
appeared the quintessential image of the Romantic poet, whose work influenced such poets as Mathilde Blind
, Amy Levy
, Alice Meynell
, Sarojini Naidu
—though for some of them he was... |
Literary responses | Edith J. Simcox | This work received an ambivalent response from The Spectator reviewer, who called it in effect an attempt, ingenious and not unskillful, but very much the reverse of convincing, to prove that the world would go... |
Literary responses | Elizabeth Gaskell | EG
called this work simply a little country love story, Uglow, Jennifer S. Elizabeth Gaskell: A Habit of Stories. Faber and Faber. 251 |
Literary responses | Caroline Clive | The Edinburgh Review praised her for displaying a co-existence of the synthetic and analytic modes of looking at things, the general want of which is the great defect of most modern poetry. Partridge, Eric Honeywood. “Mrs. Archer Clive”. Literary Sessions, Scholartis Press. 127 |
Literary responses | Frances Power Cobbe | FPC
's importance to her contemporaries is most readily recalled today by the fact that Matthew Arnold
thought her a worthy target of his corrective wisdom in The Function of Criticism at the Present Time... |
Literary responses | Mary Augusta Ward | The novel was a massive success, in the words of Henry Jamesa momentous public event. Ward, Mary Augusta. “Introduction”. Robert Elsmere, edited by Rosemary Ashton, Oxford University Press, p. vii - xviii. vii |
Intertextuality and Influence | Emily Davies | The paper points out the failings of middle-class schools for girls, while quoting with approval Matthew Arnold
's views about the necessity of education for class and national stability. In her conclusion, ED
insists that... |
Intertextuality and Influence | Adrienne Rich | In Culture and Anarchy (titled after the famous essay collection by Matthew Arnold
, 1869 ), Rich mixes her own poetry with the words of nineteenth-century Anglo-American women writers Jane Addams
, Susan B. Anthony |
Intertextuality and Influence | Emily Brontë | |
Intertextuality and Influence | Maggie Gee | MG
was six when her five-page, semi-illegible saga on the life of an Indian woman teapicker won third prize in the Typhoo Tea
Handwriting Competition (which despite its name must, she says, have disregarded writing... |
Intertextuality and Influence | Charlotte Guest | |
Intertextuality and Influence | Catherine Hubback | In this novel Matthew Arnold
is prominent among the authors quoted, and Iseult of Brittany among the texts. The novel opens sombrely with Mrs Duncan, a Welshwoman of about thirty-five, talking religiously with her stepdaughter... |
Intertextuality and Influence | Rosa Nouchette Carey | One of the many novels which RNC
chose to dignify by quotations to head her chapters, this seems to make a particular attempt to impress. Those quoted imply considerable learning, even if (as seems likely)... |
Intertextuality and Influence | Mary Augusta Ward | MAW
planned her next novel as a much weightier study of the intellectual impact of historical thought on conventional faith; it was deeply influenced by the intellectual milieu of Oxford and the histories of her... |
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