Quarterly Review. J. Murray.
Quarterly 35 (1927): 317
Connections Sort descending | Author name | Excerpt |
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Textual Production | Mary Russell Mitford | MRM
began her verse tragedy Foscari in 1821, after the rejection of Fiesco, and was horrified to discover that Byron
had just published The Two Foscari. Quarterly Review. J. Murray. Quarterly 35 (1927): 317 |
Textual Production | Marguerite Gardiner, Countess of Blessington | Conversations of Lord Byron
with the Countess of Blessington appeared in volume form. Marguerite Gardiner, Countess of Blessington,. “Introduction”. Conversations of Lord Byron, edited by Ernest J. Lovell, Princeton University Press, pp. 3-114. 3 Feldman, Paula R., editor. British Women Poets of the Romantic Era. John Hopkins University Press. 149 |
Textual Production | Lady Caroline Lamb | LCL
kept a diary, in which she recorded, for instance, her famous first impression of Byron
. Late in her life she planned to publish this diary, and to consult Sydney Morgan
about the best... |
Textual Production | Medora Gordon Byron | Miss Byron, author of the English-woman (who was much later labelled as MGB
), published a second novel, Hours of Affluence, and Days of Indigence. The title might bear some allusion to Byron
's... |
Textual Production | Mary Shelley | The presentation copy of Frankenstein, first edition, which MS
inscribed To Lord Byron
, from the Author, turned up among the papers of the Labour politician |
Textual Production | Marguerite Gardiner, Countess of Blessington | When she approached the New Monthly Magazine as a prospective contributor, assistant editor S. C. Hall
rejected the topics she proposed, and suggested that she should write on Byron
. She based her work on... |
Textual Production | George Eliot | Many early extant letters of GE
's date from her unhappy, adolescent, Evangelical period, and have a tone of self-righteousness and censoriousness of others and of herself which is not pleasant to modern readers. In... |
Textual Production | Caroline Norton | CN
published The Undying One, and Other Poems, with epigraphs taken from Byron
(again, this time from Childe Harold) and La Fontaine
. Athenæum. J. Lection. 137 (1830): 353 |
Textual Production | Medora Gordon Byron | It was published by Minerva
in three volumes, with mention of the two previous novels published as a Modern Antique, and an &c. suggesting a larger output. The title-page bears an aphorism, Love is... |
Textual Production | Mary Shelley | MS
helped Edward John Trelawny
by editing his autobiographical Adventures of a Younger Son, 1831: among other things she added epigraphs from both Byron
and Percy Shelley
, and supplied his title. She also... |
Textual Production | Margaret Croker | MC
published, with her name and a quotation from Byron
, A Tribute to the Memory of Sir Samuel Romilly. Romilly, a reforming lawyer, killed himself after his wife's death. Croker, Margaret. A Tribute to the Memory of Sir Samuel Romilly. John Souter. title-page |
Textual Production | Marguerite Gardiner, Countess of Blessington | It is a point of debate among scholars whether Blessington saw and used the memoirs of himself which Byron
wrote but later burned. Marguerite Gardiner, Countess of Blessington,. “Introduction”. Conversations of Lord Byron, edited by Ernest J. Lovell, Princeton University Press, pp. 3-114. 7 |
Textual Production | Caroline Norton | She had begun writing the title poem (pages 3-77 when printed) while at boarding school. She dedicated the volume to Lord Holland
and quoted Byron
on the title page. Chedzoy, Alan. A Scandalous Woman: The Story of Caroline Norton. Allison and Busby. 63-4 |
Textual Production | Melesina Trench | The University of Texas at Austin
holds the only known copy. (MT
also reproved Byron
in verse for his English Bards and Scotch Reviewers.) Trench, Melesina. The Remains of the Late Mrs. Richard Trench. Editor Trench, Richard Chenevix, Parker and Bourn. 231 |
Textual Production | Catherine Gore | As a girl Catherine Moody (later CG
) was called The Poetess by her friends. Two juvenile poems (one a final canto to Byron
's Childe Harold, the other entitled The Graves of the... |
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