Sydney Owenson, Lady Morgan,. Lady Morgan’s Memoirs. Editors Dixon, William Hepworth and Geraldine Jewsbury, AMS Press.
2: 202
Connections | Author name Sort descending | Excerpt |
---|---|---|
Material Conditions of Writing | Lady Caroline Lamb | According to her own account, LCL
wrote her notorious novel Glenarvon and sent it to press within one month, while articles of separation were being drawn up by her husband following her act of violence... |
Family and Intimate relationships | Lady Caroline Lamb | LCL
, on impulse, ran away from the house of her parents-in-law and pawned a ring, intending to flee abroad. But she sent farewell notes, which enabled Byron
to track her and deliver her to... |
Textual Features | Lady Caroline Lamb | Using as a foundation her affair with Byron
(not its actual events but its emotional impact), LCL
tells a melodramatic, gothic tale in rhapsodic, overblown style. Critic Paul Douglass
thinks the fourteen lyrics included in... |
Family and Intimate relationships | Lady Caroline Lamb | In order to get hold of a portrait of Byron
which was held in the office of his publisher John Murray
, LCL
forged a note with his signature—at a time when forgery was a... |
Literary responses | Lady Caroline Lamb | When Glenarvon first appeared, said Lady Caroline, William Lamb
admired it so much that it was instrumental in bringing the separated couple back together. Sydney Owenson, Lady Morgan,. Lady Morgan’s Memoirs. Editors Dixon, William Hepworth and Geraldine Jewsbury, AMS Press. 2: 202 |
Family and Intimate relationships | Lady Caroline Lamb | After almost a year's separation, Byron
and LCL
had a meeting brokered by Lady Melbourne
and Lady Bessborough
with the idea of convincing Caroline that the affair was over. Douglass, Paul. Lady Caroline Lamb. Palgrave Macmillan. 148-9 |
Intertextuality and Influence | Lady Caroline Lamb | Paul Douglass points out that Ada Reis is a work of scholarship as well as of imagination; before writing the text, LCL
had digested many recent works of travel and exploration, including those by... |
Family and Intimate relationships | Lady Caroline Lamb | In one more belated public linking of herself with Byron
, LCL
appeared at Almack's in London dressed as his fictional Don Juan and attended by devils. Douglass, Paul. Lady Caroline Lamb. Palgrave Macmillan. 299 |
Literary responses | Lady Caroline Lamb | William Lamb
worried intensely about the probable reception of Ada Reis, particularly the scenes in hell, and he tried to enlist William Gifford
of the Quarterly as an ally in pressuring Caroline to tone... |
Health | Lady Caroline Lamb | LCL
met with Byron
's funeral cortege (by accident, she said) on its way from London to Newstead; she never really recovered from the breakdown brought on by this encounter. Douglass, Paul. “Playing Byron: Lady Caroline Lamb’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Glenarvon</span> and the Music of Isaac Nathan”. European Romantic Review, Vol. 8 , pp. 1-24. 18 Campbell, Mary. Lady Morgan: The Life and Times of Sydney Owenson. Pandora. 192 |
Intertextuality and Influence | Lady Caroline Lamb | This is a rollicking, fizzing, flighty, purposely excessive poem. It parodies yet also hitches a lift on Byron
's own whimsical style. Impersonating the male poet who lambasts Our maudlin, hey-down-derrified pathetic Lamb, Lady Caroline. A New Canto. William Wright. 27 |
death | Lady Caroline Lamb | LCL
died at Melbourne House in London; she left to Sydney Morgan
her portrait of Byron
and some of his letters. Her biographer Douglass dates her death as the 25th, while the Oxford Dictionary... |
Textual Production | Lady Caroline Lamb | The British Library Catalogue lists this work under Byron
, not Lamb. She paid for its publication, and sent copies to friends and reviewing journals. Douglass, Paul. Lady Caroline Lamb. Palgrave Macmillan. 231 |
Textual Production | Lady Caroline Lamb | LCL
read an advance copy of the early cantos of Byron
's Childe Harold, and wrote a poem expressing her wish to emulate him. Douglass, Paul. “Playing Byron: Lady Caroline Lamb’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Glenarvon</span> and the Music of Isaac Nathan”. European Romantic Review, Vol. 8 , pp. 1-24. 1 |
Textual Production | Lady Caroline Lamb | An odd spin-off from LCL
's desire to make herself into a professional writer was her project for a pocket diary or almanac. These ephemeral publications were repositories of useful information of many kinds as... |
No timeline events available.
No bibliographical results available.