Kersley, Gillian. Darling Madame: Sarah Grand and Devoted Friend. Virago Press.
59
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Publishing | Sarah Grand | She based her characters and setting on Warrington. Kersley, Gillian. Darling Madame: Sarah Grand and Devoted Friend. Virago Press. 59 |
Publishing | Susan Ferrier | SF
only published under the condition that she remained anonymous, hiding her authorship for fear that she would be condemned as unladylike. If I was suspected of being accessory to such foul deeds my brothers... |
Publishing | Eleanor Farjeon | EF
's next publication, in Blackwood's Magazine, was a spoof or pastiche: seven lyrics purporting to come from an imaginary book called The Shepheard's Gyrlond, 1594, by the fictional Nathaniel Downes. When... |
Textual Production | George Eliot | The previous year young William Blackwood
reported her anxiety and reluctance at the prospect of having the manuscript of this first part taken from her, as if it were her baby. Eliot, George. The George Eliot Letters. Editor Haight, Gordon S., Yale University Press. 6: 136 |
Publishing | Lady Charlotte Bury | Susan Ferrier
helped with this first publication since LCB
's second marriage—the first that belongs to the decades of her novelistic career—by submitting it to Blackwood
, her own publisher, as early as January 1820... |
Publishing | Caroline Bowles | |
Publishing | Caroline Bowles | Most of the contents had first appeared in Blackwood's. Hickok, Kathleen. “’Burst Are the Prison Bars’: Caroline Bowles Southey and the Vicissitudes of Poetic Reputation”. Romanticism and Women Poets, edited by Harriet Kramer Linkin and Stephen C. Behrendt, University Press of Kentucky, pp. 192-13. 200 Blain, Virginia. “Anonymity and the Discourse of Amateurism: Caroline Bowles Southey Negotiates Blackwoods 1820-1847”. Victorian Journalism, edited by Barbara Garlick and Margaret Harris, Queensland University Press, pp. 1-18. 7 |
Textual Production | Caroline Bowles | She began writing out of her love for the craft. Orphaned at an early age and surviving on a small annuity provided by a relation, she later turned to her pen as a means of... |
No timeline events available.
No bibliographical results available.