Henry Fielding

-
Standard Name: Fielding, Henry

Connections

Connections Sort ascending Author name Excerpt
Textual Features Catherine Talbot
CT 's letters often convey her literary opinions, discussing writing by, for instance, Marie de Sévigné , Richardson , Henry Fielding and Samuel Johnson . She also writes of the details of her daily life...
Textual Features Mary Herberts
This ambivalently presented woman writer specialises in highflown rhetoric whose literal version is bathetic, foreshadowing a technique of Henry Fielding : the Sun beginning (in the Countess's style) to hasten to the Embraces of his...
Textual Features Charlotte Lennox
The novel's opening is an early example of a technique which was to remain popular with authors for generations: About the middle of July 17 — . . . , where the precise day and...
Textual Features Sarah Fielding
David Simple predates all fictional work by Samuel Johnson and all but the earliest works by Henry Fielding and Samuel Richardson , which are sometimes mistakenly spoken of as its models. It may be seen...
Textual Features Alethea Lewis
She heads her novel with a prefatory letter to the Rev. William Johnstone , who, she says, has asked why she chooses to write fiction and not moral essays. She answers that novels offer opportunities...
Textual Features Frances Burney
Evelina opens with an ode to Charles Burney (unnamed) as Author of my Being, which sounds like an apology for having written.
Doody, Margaret Anne. Frances Burney: The Life in the Works. Cambridge University Press.
37
The preface acknowledges the formative influence of Richardson (as well as Henry Fielding
Textual Features Sarah Gardner
This is not a well-constructed plot, since it is low in suspense, surprise, or even action. The play progresses like a series of disconnected sketches. The mistaken identity, parental opposition, and lack of money hampering...
Textual Features Mary, Lady Champion de Crespigny
The novel opens self-consciously, desiring the reader not to be a severe critic and explaining that the characters first introduced, William Hoskins and his wife Jenny, are worthy, honest people without pedigree or honours.
Mary, Lady Champion de Crespigny,. The Pavilion. William Lane, Minerva Press.
1: 1
Textual Features Anna Maria Mackenzie
AMM 's opening address To the Readers of Modern Romance says that ancient romance was put paid to by the new source of amusement . . . struck out by Henry Fielding and Richardson (to...
Textual Features Sarah Green
This is a novel of courtship among upper-class characters: its title-page invokes the genre of Restoration comedy by quoting Vanbrugh —a different quotation from the one from him SG had used in 1810. But it...
Textual Features Mary Martha Sherwood
Her introduction calls Sarah Fielding a sister of the celebrated Fielding , and says that she, Sherwood, has retained the main story, the old-fashioned language, and just one of the fairy-tales as a sample of...
Residence Sarah Fielding
SF lived with and kept house for her brother Henry in Old Boswell Court, London, from the time of his first wife's death until his second marriage.
Sabor, Peter, and Sarah Fielding. “Introduction”. The Adventures of David Simple and Volume the Last, University Press of Kentucky, p. vii - xli.
xxxix
Bree, Linda. Sarah Fielding. Twayne.
xi
Reception Elizabeth Hervey
It has been until recently a given of literary history that William Beckford had his half-sister in his sights in his two burlesques on women's novel-writing. The title-page of the first quotes Pope , thus...
Publishing Eliza Haywood
In England this work did not succeed in catching the success of Pamela: its copyright failed to sell in 1754 and fetched only a nominal half-guinea the next year. But in Europe it was...
Publishing Eliza Haywood
Popular in its day and highly regarded since, this novel sold out and went to a second edition in seven weeks. It was reprinted in London and Dublin, translated into French, German, Dutch, and...

Timeline

No timeline events available.

Texts

No bibliographical results available.