Angelou, Maya. I Know Why the Caged Bird Sings. Heinemann New Windmill Series.
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Connections Sort descending | Author name | Excerpt |
---|---|---|
Education | Maya Angelou | Marguerite Johnson had already become a voracious reader, both of Black writers and of canonical dead white males. Shakespeare
, she wrote later, was my first white love. Angelou, Maya. I Know Why the Caged Bird Sings. Heinemann New Windmill Series. 12 |
Education | Maya Angelou | When at seven she moved from Stamps to St Louis and attended Toussaint L'Ouverture High School, Marguerite found the teachers more formal but the students comparatively backward. In a year there she felt she learned... |
Intertextuality and Influence | Una Marson | In the year leading up to this publication, UM
was reading (mostly male) African-American writers—Booker T. Washington
, James Weldon Johnson
, and |
Intertextuality and Influence | Una Marson | UM
started writing an autobiography, then entitled Autobiography of a Black Girl, by the age of twenty-five. Jarrett-Macauley, Delia. The Life of Una Marson, 1905-65. Manchester University Press. 80 |
Literary responses | Gertrude Stein | Reviewers of GS
saw this work as embodying a new naturalism. Hobhouse, Janet. Everybody Who was Anybody: A Biography of Gertrude Stein. Doubleday. 68 Hobhouse, Janet. Everybody Who was Anybody: A Biography of Gertrude Stein. Doubleday. 68-9 |
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