Charles Dickens
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Standard Name: Dickens, Charles
Birth Name: Charles John Huffam Dickens
Indexed Name: Charles Dickens
Pseudonym: Boz
Pseudonym: Timothy Sparks
A prolific novelist, journalist, and editor of periodicals such as Household Words and All the Year Round, CD
crucially shaped Victorian fiction both by developing it as a dialogical, multi-plotted, and socially aware form and by his innovations in publishing serially. As a novelist he worked across a range of genres, including the bildungsroman, picaresque, Newgate, sensation and detective fiction, and usually with satiric or socially critical force. He was loved by readers for his humour, grotesquerie, action, and vigour. An influential public figure and phenomenally successful lecturer during his lifetime, his work continues to be central to popular understandings of nineteenth-century England, and in particular London.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Reception | Dinah Mulock Craik | DMC
's work reached immense numbers of people. It was a staple of Mudie
's and other circulating libraries
. Her work was swiftly published in the US, and she had numerous titles (novels and... |
Reception | Sarah Grand | Reviewers in the Independent and The Bookman disliked this novel. The Bookman called it vulgar, and worse than vulgar. qtd. in Grand, Sarah. Sex, Social Purity and Sarah Grand: Volume 1. Editor Heilmann, Ann, Routledge, 2000. 518 |
Residence | E. M. Delafield | Charles Dickens
used to live in a house across the street. McCullen, Maurice. E. M. Delafield. Twayne, 1985. 10 |
Residence | Mary Angela Dickens | When MAD
was nearly eight years old, her father purchased Gad's Hill Place in Kent, the last home of his own father Charles Dickens
(who had died two months before this), for £8,647 at... |
Residence | Alice Meynell | Describing the situation at the Thompsons' Italian villa, Dickens
writes: Coming upon them unawares, I found T[hompson] with a pointed beard, smoking a great German pipe, in a pair of slippers; the two little girls... |
Residence | Rumer Godden | Though she still found it hard to write in the country, RG
called this the happiest house we have had. Godden, Rumer. A House with Four Rooms. Macmillan, 1989. 170 |
Residence | Gillian Slovo | Her grandmother and elder sister travelled separately; her father, already in England, had been waiting on tenterhooks for their arrival. GS
saw England through the old-world lens of Charles Dickens
and Jane Austen; Slovo, Gillian. Every Secret Thing: My Family, My Country. Little, Brown, 1997. 103 |
Textual Features | Elizabeth Jenkins | This little book (with no notes or index) opens on an echo of Jenkins's fuller work on Austen, with a tribute to the mid eighteenth century as a time of brilliant flowering in the English... |
Textual Features | Lady Margaret Sackville | Austen
, she says, was the first really modern novelist . . . more modern in a sense than Dickens
or Thackeray
. Austen, Jane. “Introduction”. Jane Austen, edited by Lady Margaret Sackville, Herbert & Daniel, 1912, p. ix - xvi. xi |
Textual Features | James Malcolm Rymer | JMR
's study of mainstream novelists like Dickens
is apparent in Ada, in his borrowing from texts like Oliver Twist. Ada is an orphan who, like Oliver, captivates the reader in her quest... |
Textual Features | Janet Hamilton | The vigour and originality of her voice on women's issues requires greater recognition, ranging as it does from the satiric Crinoline, to Contrasted Scenes from Real Life which juxtaposes the earthly lot of Lady Emily Hay |
Textual Features | Carol Rumens | Her title comes from the opinion (propounded in the closing sequence, On the Spectrum) that people characterized by varying degrees and kinds of what is popularly called autism have a particular affinity with animals... |
Textual Features | Pamela Hansford Johnson | These novels reflect PHJ
's political commitment and the urgent ideological spirit of the later thirties. Their plots set out to demonstrate the interconnectedness of the apparently separated social classes—as do those of Dickens
—by... |
Textual Features | Joan Aiken | Dickens
, whose novels JA
and her sister heard their mother reading aloud when they were children, is a shaping influence on these works: their teeming characters (with names like Miss Slighcarp and in later... |
Textual Features | Anne Mozley | The review of Adam Bede is indeed most perceptive as well as detailed. AM
begins by noticing how novels have been expanding their empire: how many have been added to their readership by the newer... |
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