Edmund Spenser

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Standard Name: Spenser, Edmund

Connections

Connections Sort ascending Author name Excerpt
Intertextuality and Influence Barbara Hofland
The title-page quotes from Spenser , and the first chapter from Johnson 's Rambler. This sophisticated novel, with a North Yorkshire setting, a large cast of upper-class characters, and a wide range of reference...
Intertextuality and Influence An Collins
AC writes in many different metres (some unusual, a few somewhat uncertainly used). In a prose address to the Christian Reader
Collins, An. Divine Songs and Meditacions. Editor Stewart, Stanley N., William Andrews Clark Memorial Library, 1961.
1
she says she has achieved a peacefull temper and spirituall calmnesse.
Collins, An. Divine Songs and Meditacions. Editor Stewart, Stanley N., William Andrews Clark Memorial Library, 1961.
2
Her...
Intertextuality and Influence Alicia D'Anvers
ADA 's immortal Sing-Song / How all th'old Dons were at it Ding-dong
D’Anvers, Alicia. The Oxford-Act. Randal Taylor, 1693.
9
describes and exploits the annual university carnival of misrule which employed a licensed burlesque speaker. She drops, with cheerful irreverence, a...
Intertextuality and Influence Katharine S. Macquoid
A Bad Beginning's title-page quotes Spenser , on the wrongness of binding in love those whom God has not ordained for each other. As every English reader would have expected, the French marriage of...
Intertextuality and Influence Selina Davenport
The title-page quotes Milton on the false dissembler (Satan). The story opens with Edmund Dudley, the lover and the poet, confiding to a married friend, Leopold Courtenay, his love for Althea, to whom he has...
Intertextuality and Influence Isak Dinesen
She divided her life into five stages, supplying a motto for each stage, in Latin, French, and English. The English motto, for the final stage, came from Spenser 's The Faerie Queene: Be bold...
Intertextuality and Influence Susannah Dobson
This work abounds in quotations from Lydgate , Spenser , Sainte-Palaye , William Hayley , and others. It cites the Roman historian Tacitus in confirmation that the chivalric system was originally Germanic.
O’Brien, Karen. Women and Enlightenment in Eighteenth-Century Britain. Cambridge University Press, 2009.
139
Intertextuality and Influence Anna Maria Porter
The new Juvenilia Press edition, like the original first volume, contains five stories: Sir Alfred; or, The Baleful Tower, The Daughters of Glandour, The Noble Courtezan, The Children of Fauconbridge, and...
Intertextuality and Influence Frances Isabella Duberly
FID turns frequently in her journal to literary quotation. She often quotes from poets whose popularity has waned, but she also calls on Longfellow ,
Duberly, Frances Isabella. Mrs Duberly’s War. Journals and Letters from the Crimea, 1854-6. Editor Kelly, Christine, Oxford University Press, 2007.
216
and when Lord Raglan is dead and many officers...
Intertextuality and Influence Clementina Black
Meanwhile Orlando establishes a relationship of friendship and equality with Viola Cash, a young woman who embodies intelligence, practicality, and activity as well as beauty. She supports improved education for women, and is not afraid...
Intertextuality and Influence Florence Nightingale
In tribute to Jones's work, FN invokes the character of Una (symbol of truth, foe to error) from Spenser 's The Faerie Queene in her bid to inspire others to take on similar religious work...
Intertextuality and Influence Jane Williams
She takes her title from the name of the knight of Justice in Spenser 's The Faerie Queen, whom she quotes in an epigraph on the title page. The publication was written in response...
Intertextuality and Influence Caroline Norton
After this success Caroline began on a Romantic narrative poem in Spenser ian stanzas, set in America, to be called Amouida and Sebastian; but she did not finish it.
Chedzoy, Alan. A Scandalous Woman: The Story of Caroline Norton. Allison and Busby, 1995.
29
Intertextuality and Influence Anne Grant
As well as her central allusion to Barbauld, AG claims authority for her work by quoting Milton on her title-page and later as well, and by echoing, in her deliberately derivative, that is traditional style...
Intertextuality and Influence Mary Tighe
MT 's prose preface acknowledges her debt, early in the poem, to Apuleius ' version of the Psyche story. She says she chose the Spenserian stanza because she loved Spenser ; she found it difficult...

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