“The Times Digital Archive 1785-2007”. Thompson Gale: The Times Digital Archive.
55957 (11 March 1964): 15
Connections | Author name Sort descending | Excerpt |
---|---|---|
Publishing | Hélène Barcynska | It is often referred to as her first novel (presumably in part because The Little Mother Who Sits at Home was presented as non-fiction). “The Times Digital Archive 1785-2007”. Thompson Gale: The Times Digital Archive. 55957 (11 March 1964): 15 |
Publishing | Hélène Barcynska | Pseudonyms, and their financial implications, ended HB
's first marriage. Armiger Barclay
wanted her to write not as Sandys, under which name she reaped her own profits, but as Barcynska, which funnelled her earnings to... |
Publishing | Hélène Barcynska | By about now, says HB
, a serial by Oliver Sandys could command two hundred pounds for its first printing, and the book publisher would offer an advance of another two hundred. While she enjoyed... |
Textual Production | Elizabeth Bowen | Pictures and Conversations, a last collection of short pieces by EB
, was published posthumously in New York, edited by Spencer Curtis Brown
. Sellery, J’nan M., and William O. Harris. Elizabeth Bowen: A Bibliography. University of Texas. 97-8 Hoogland, Renée C. Elizabeth Bowen: A Reputation in Writing. New York University Press. 1-2 |
Health | Elizabeth Bowen | EB
suffered from recurrent bouts of bronchitis and a chronic smoker's cough. In 1972, she was diagnosed with lung cancer and underwent radium treatment. She lost her voice and had considerable difficulty breathing. She was... |
Textual Production | Elizabeth Bowen | Having had her style criticised in her previous novel for convolution, she appealed to Spencer Curtis Brown
to point out any examples in the new book, to prevent her from developing stylistic tricks; initial criticism... |
Textual Production | Elizabeth Bowen | She wrote this play for a performance in Limerick Cathedral. (An early version had already been given in the village church at Hambledon in Hampshire.) Glendinning, Victoria. Elizabeth Bowen. Alfred A. Knopf. 293 and n |
Textual Production | Ivy Compton-Burnett | After her previous book's success, she had acquired an agent (David Higham
of Curtis Brown
, who also handled Rose Macaulay
and Vita Sackville-West
). In later years she dealt with Spencer Curtis Brown |
Occupation | Monica Dickens | Quite early in 1940 (after a spell as a writer and another collecting scrap iron for armaments) MD
joined the Red Cross
as a VAD (that is, a Voluntary Aid Detachment
volunteer nurse), then became... |
Friends, Associates | Stella Gibbons | In 1954 SG
became concerned that her literary career was running down. At the instigation of her friend and fellow novelist Elizabeth Jenkins
, she enlisted a new literary agent, Curtis Brown
, who helped... |
Literary responses | Rumer Godden | Its first readers loved this book: these included retiring literary agent Curtis Brown
, his son Spencer Curtis Brown
, and the publishers Peter
and Nico Davies
(who called it without doubt a masterpiece and... |
Textual Production | Rumer Godden | Theatre rights to Black Narcissus were sold within a month of its appearance. A script was commissioned in the USA which RG
found farcical. Godden, Rumer. A Time to Dance, No Time to Weep. Macmillan. 137 |
Reception | Rumer Godden | RG
herself had misgivings about Gypsy, Gypsy, but her publisher Peter Llewelyn Davies
wrote of being enchanted by the story. Godden, Rumer. A Time to Dance, No Time to Weep. Macmillan. 143 |
Textual Production | Rumer Godden | She dedicated it To Jon
and the spirit of little Joss, who was born there, and used an epigraph translated from Chinese by Arthur Waley
. Godden, Rumer. Rungli-Rungliot. P. Davies. prelims |
Literary responses | Rumer Godden | This was one of RG
's great successes. Her agent Spencer Curtis Brown
said of the central idea, [y]ou do go out of the way to make things difficult. A little boy complained that she... |
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