Ellen Wood

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Standard Name: Wood, Ellen
Birth Name: Ellen Price
Married Name: Mrs Henry Wood
Pseudonym: Johnny Ludlow
Pseudonym: Ensign Thomas Pepper
In a writing career spanning most of the second half of the nineteenth century, EW produced a prodigious body of work (often writing two triple-deckers per year), including sketches, novels, and a series of interconnected Johnny Ludlow tales involving a character of that name, that were published over a twenty-year period. While much of her fiction takes the form of moralistic domestic dramas, EW could also be fascinated by the grotesque, and many of her works have sensational and supernatural themes. Her reputation today rests almost exclusively on the phenomenally popular East Lynne, 1861, possibly the best seller among novels of the Victorian period and the only one of her works that has remained generally available.

Connections

Connections Sort descending Author name Excerpt
Theme or Topic Treated in Text Eva Figes
She considers the drama of ancient Greece and of the Renaissance, setting each in its historical context. After dealing with issues of religious belief, kingship, and the dead, she comes to that of women and...
Theme or Topic Treated in Text Sarah Tytler
Clearly delighted with the opportunity to mix in literary circles, ST recorded her personal observations of these authors in Men and Women Met by the Way, the final 100-page-long section of her family autobiography...
Theme or Topic Treated in Text Edith J. Simcox
EJS could be unreservedly critical in her reviews: she deemed Mary Elizabeth Braddonanother victim to the diseased appetite of the class that would rather read half-a-dozen bad novels than one good one, and...
Wealth and Poverty Mary Elizabeth Braddon
She left a remarkably large estate for a Victorian woman writer. Despite the high style in which she lived, she was reportedly able from early in her career to save her literary earnings, since money...
Wealth and Poverty Rhoda Broughton
RB , who published almost exclusively with Bentley throughout her career, preferred to receive a lump sum for her novels rather than to rely on royalites and copyright earnings. In her reminiscence Ethel Arnold suggests...

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