Mirzoeff, Nicholas. “Revolution, Representation, Equality: Gender, Genre, and Emulation in the Académie Royale de Peinture et Sculpture, 1785-93”. Eighteenth-Century Studies, Vol.
31
, No. 2, Dec. 1997, pp. 153-74.
160
23 September 1790: French painter Adélaide Labille-Guiard, in...
Mirzoeff, Nicholas. “Revolution, Representation, Equality: Gender, Genre, and Emulation in the Académie Royale de Peinture et Sculpture, 1785-93”. Eighteenth-Century Studies, Vol.
Mirzoeff, Nicholas. “Revolution, Representation, Equality: Gender, Genre, and Emulation in the Académie Royale de Peinture et Sculpture, 1785-93”. Eighteenth-Century Studies, Vol.
31
, No. 2, Dec. 1997, pp. 153-74.
161
Mirzoeff, Nicholas. “Revolution, Representation, Equality: Gender, Genre, and Emulation in the Académie Royale de Peinture et Sculpture, 1785-93”. Eighteenth-Century Studies, Vol.
31
, No. 2, Dec. 1997, pp. 153-74.
161, 155, 164
19 April 1791: In Paris the radical new Commune des Arts...
Building item
19 April 1791
In Paris the radical new Commune des Arts
decreed that studying art was inimical to women's true vocation, the respectable and holy functions of wife, mother and mistress of the house.
Mirzoeff, Nicholas. “Revolution, Representation, Equality: Gender, Genre, and Emulation in the Académie Royale de Peinture et Sculpture, 1785-93”. Eighteenth-Century Studies, Vol.
31
, No. 2, Dec. 1997, pp. 153-74.
165
Mirzoeff, Nicholas. “Revolution, Representation, Equality: Gender, Genre, and Emulation in the Académie Royale de Peinture et Sculpture, 1785-93”. Eighteenth-Century Studies, Vol.