Dane, Clemence. London Has a Garden. Michael Joseph.
58
Connections | Author name Sort descending | Excerpt |
---|---|---|
Occupation | Clemence Dane | By then she had appeared on a couple of the BBC
's Brains Trust series. Dane, Clemence. London Has a Garden. Michael Joseph. 58 |
Textual Production | Sarah Daniels | |
Textual Production | Sarah Daniels | Over the course of her career SD
has become much involved in radio drama. From once believing that only sad bastards listen to BBC Radio 4
, she has progressed to becoming a regular contributor... |
Textual Production | Sarah Daniels | SD
considered she had never enjoyed anything so much as collaborative work on the BBC World Service
radio soap Westway (in work broadcast in November 1997). Bull, John, editor. Dictionary of Literary Biography 245. Gale Research. 114-15 |
Performance of text | Sarah Daniels | A commission from Caroline Raphael
, then head of Radio 5
, resulted in SD
's original radio play Purple Side Coasters, broadcast on BBC Radio 4
on 16 November 1995 and dealing with post-natal depression. Aston, Elaine, and Geraldine Harris. Performance Practice and Process: Contemporary (Women) Practitioners. Palgrave Macmillan. 86 Bull, John, editor. Dictionary of Literary Biography 245. Gale Research. 114-15 |
Textual Production | Sarah Daniels | SD
's radio play for three characters on the topic of breast cancer, Cross My Heart and Hope to Fly, was broadcast by the BBC on 22 March 2002, produced and directed by Sally Avens |
Textual Production | Sarah Daniels | The Sound Barrier by SD
, broadcast on Radio 4
in 2004 and repeated in 2007, was directed by Sally Avens
. Daniels had at first planned to call it The Long Silence. Her... |
Intertextuality and Influence | Sarah Daniels | This play has been used in a radio drama workshop by Elaine Aston
and Geraldine Harris
, and the script has been posted by the BBC
on its website Writersroom because it has such pedagogic... |
Performance of text | Teresa Deevy | TD
's radio play Polinka was broadcast by BBC Northern Ireland
. It was repeated on this station in January 1949 and April 1951 and by the BBC all over Britain in December that year. The Teresa Deevy Archive. http://deevy.nuim.ie/. Timeline |
Textual Production | Teresa Deevy | This reached print the year after it was performed, in the Dublin Magazine. It played in Cork in 1939, opening on 6 November. A television film made from it was broadcast by the BBC |
Performance of text | Teresa Deevy | Its rejection was a heavy blow, since it signalled a change of attitude towards Deevy's work which had been brewing for several years. The Teresa Deevy Archive. http://deevy.nuim.ie/. Introduction |
Performance of text | Teresa Deevy | |
Characters | E. M. Delafield | EMD
defiantly maintains a light, satirical tone despite the gravity of the situation. She focuses deliberately on amusing characters and situations: evacuees who return to London because they cannot tolerate country life; a bureaucrat at... |
Textual Production | E. M. Delafield | The play (a dramatised version of The Way Things Are) ran for almost six months in London and was also produced in New York. Delafield, E. M., and Nicola Beauman. The Diary of a Provincial Lady. Virago. prelims McCullen, Maurice. E. M. Delafield. Twayne. 119 Powell, Violet. The Life of a Provincial Lady. Heinemann. 151 |
Textual Production | E. M. Delafield |
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