Demastes, William W., editor. British Playwrights, 1956-1995. Greenwood Press, 1996.
108, 113
Embassy Theatre
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Occupation | Ngaio Marsh | She pursued this career in London as well. In a lecture to the |
| Performance of text | Caryl Churchill | Mad Forest: A Play from Romania by CC
opened at the Embassy Theatre
in London. Three months later it enjoyed a successful run at the Teatrul National
in Bucharest. |
| Performance of text | E. M. Delafield | The Glass Wall, a serious drama by EMD
critiquing convent life, was produced at the Embassy Theatre
at Swiss Cottage, London. Delafield, E. M., and Nicola Beauman. The Diary of a Provincial Lady. Rpt. ed., Virago, 1984. prelims McCullen, Maurice. E. M. Delafield. Twayne, 1985. 118 |
| Publishing | Agatha Christie | On 30 April 1931, after the production of AC
's Black Coffee at the Embassy Theatre
(which opened in December 1930), the theatre company paid her £1,000 to write another play for them. The result,... |
| Textual Production | Ngaio Marsh | Death at the Bar, set in Devon, had appeared in England in 1940. A theatrical adaptation of Surfeit of Lampreys played at the Embassy Theatre
, Swiss Cottage, in late 1950. “The Times Digital Archive 1785-2007”. Thompson Gale: The Times Digital Archive. 51798 (16 September 1950): 6 |
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