Herron, Bonnie. "An Old Ballad Monger": Hannah More’s Unpublished Letters 1798-1827. University of Alberta.
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Connections | Author name Sort descending | Excerpt |
---|---|---|
Textual Production | Hannah More | Sir John Addington
took the first portion Herron, Bonnie. "An Old Ballad Monger": Hannah More’s Unpublished Letters 1798-1827. University of Alberta. 155 Herron, Bonnie. "An Old Ballad Monger": Hannah More’s Unpublished Letters 1798-1827. University of Alberta. 155 Jones, Mary Gwladys. Hannah More. Cambridge University Press. 200 |
Publishing | Hannah More | Dedicated to Ann Lovell Gwatkin
, mother of one of its first performers, it was published by Farley
of Bristol. He then printed two further editions, while Thomas Cadell
of London printed eight more... |
Textual Production | Hester Lynch Piozzi | |
Publishing | Hester Lynch Piozzi | Cadell
had offered her £500 for the right to publish her Johnson letters. Samuel Lysons
helped her with the job of editing. Clifford, James L. Hester Lynch Piozzi (Mrs Thrale). Clarendon Press. 295-6 |
Publishing | Ann Radcliffe | Its full title was The Italian, or, The Confessional of the Black Penitents. A Romance. For the copyright of this novel, the author and her husband received £800 from the publishers, Cadell and Davies |
Textual Production | Radagunda Roberts | This time she used two leading London publishers: Dodsley
and Cadell
. She mentioned her previous translation on the title-page, and expressed the hope that this book would become a textbook for girls' schools. English Short Title Catalogue. http://estc.bl.uk/. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Textual Production | Charlotte Smith | It ran until 2 May, and was published the same year. Fletcher, Loraine. Charlotte Smith: A Critical Biography. Macmillan. 289, 355 |
Publishing | Charlotte Smith | The publication was initially turned down by Cadell and Davies
. The two-volume edition was published by Sampson Low
in 1800. They published a third volume in 1801, and two further volumes followed from Longman and Rees |
Textual Production | Charlotte Smith | CS
's Celestina: A Novel, her third to bear its heroine's name as title, was advertised by Cadell
as just published. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 1: 548 Smith, Charlotte. “Introduction”. Emmeline, the Orphan of the Castle, edited by Anne Henry Ehrenpreis, Oxford University Press. xxiii Wollstonecraft, Mary. The Works of Mary Wollstonecraft. Editors Todd, Janet and Marilyn Butler, Pickering. 7: 388 |
Publishing | Charlotte Smith | Since the Prévost book had been out for two generations, it was no wonder that two previous translations had appeared. According to CS
's sister, Catherine Ann Dorset
, Cadell
published an edition of Smith's... |
Textual Production | Charlotte Smith | Smith wrote on 17 June to request a copy from Cadell
. Smith, Charlotte. “Introduction”. The Works of Charlotte Smith, edited by Michael Garner et al., Pickering and Chatto, p. xxix - xxxvii. xxxii Smith, Charlotte. “Introduction”. The Works of Charlotte Smith, edited by Michael Garner et al., Pickering and Chatto, p. xxix - xxxvii. xxxiv |
Publishing | Charlotte Smith | |
Publishing | Charlotte Smith | Her publisher, Cadell
, paid her more than £260 for this novel, which she dedicated to minor royalty in the person of the Duchess of Cumberland
. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 1: 485 |
Publishing | Charlotte Smith | Her former publisher, the firm of Cadell
, was just passing to a new generation. Both Thomas Cadells
, father and son
, and William Davies (partner of the latter) found Desmond too revolutionary: it... |
Textual Production | Charlotte Smith | This novel (published with Cadell and Davies
) was her second set during the French Revolution. She began by calling it The Exile, with the idea of making it a sequel to The Old... |
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