Brown, Jeremy K. Ursula K. Le Guin. Chelsea House, 2011.
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Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Ursula K. Le Guin | The idea for this book came from Mao Zedong
's extinguishing of Taoism
in the Cultural Revolution in China. Brown, Jeremy K. Ursula K. Le Guin. Chelsea House, 2011. 101 |
Intertextuality and Influence | Ursula K. Le Guin | |
Textual Features | Ursula K. Le Guin | The reader has to grapple with the question which of these two is the Other, or whether Otherness exists. The heroine, Rolery, is white but a planetary alien; her marriage to Jakob Agat is a... |
Textual Features | Ursula K. Le Guin | Its setting is our own planet during the distant future. The Shing have taken over and the aboriginal inhabitants of earth are oppressed and downtrodden. Whereas mindspeech conveys the truth of what an individual is... |
Textual Production | Ursula K. Le Guin | The image was inspired in part by stories of Arctic and Antarctic explorers like Scott
and Shackleton
. The plot was inspired in part by curiosity about a society with gender subtracted from it: what... |
Textual Production | Ursula K. Le Guin | 2009 saw Le Guin publish both her translation of the Tao
text Te Ching, and another volume of her essays, Cheek by Jowl. |
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