Blamire, Susanna, and Catherine Gilpin. Songs and Poems. Editor Coward, George, George Routledge.
35-6
Connections
| Connections | Author name Sort descending | Excerpt |
|---|---|---|
| Textual Production | Susanna Blamire | Gilpin/Coward (who provided a good deal of biographical information and other commentary) argued that SB
had the most original and most reflective mind that Cumberland has produced, apart from William Wordsworth
. |
| Literary responses | Susanna Blamire | In 1886 the Dictionary of National Biography said SBdeserves more recognition than she has yet received. Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder. |
| Family and Intimate relationships | Caroline Bowles | They had corresponded since April 1818 when she wrote for literary counsel. In September 1823 she visited Southey at Keswick for several weeks. William Wordsworth
(who thought CB
a fine poet) acted as her tour... |
| Family and Intimate relationships | Caroline Bowles | In the summer of 1840 tension between the women of Greta Hall flared and Kate left to stay with the Wordsworth
family. At Rydal Mount Wordsworth persuaded Kate to write a 30-page description of her... |
| Friends, Associates | Caroline Bowles | Although William Wordsworth
can be regarded as mediator between Kate Southey
and CB
, he was convinced that Bowles was at fault. The entire Wordsworth clan, and Sara Coleridge
, allied themselves with Southey's youngest... |
| Literary responses | Caroline Bowles | A few months after publication, The Birth-Day was read with very much pleasure by the William WordsworthWordsworth
clan. Blain, Virginia. Caroline Bowles Southey, 1786-1854. Ashgate. 122 |
| Literary responses | Caroline Bowles | After CB
's death, the Gentleman's Magazine called The Birth-Daya charming series of pictures of her youth. Gentleman’s Magazine. Various publishers. (September 1854): 309 |
| Textual Production | Mary Boyle | Sometime after 1864 MB
worked together with Tennyson
, Landor
, and Wordsworth
in a miscellany encouraged by Lord Northampton
(brother of her friend Lady Marian Alford, and son of the remarkable poet Margaret, Lady Northampton |
| Reception | Emily Brontë | Charlotte tried to promote the volume by sending copies to such authors as Wordsworth
, Tennyson
, De Quincey
, and Ebenezer Elliot
. Allott, Miriam, editor. The Brontës. Routledge and Kegan Paul. 8 Barker, Juliet. The Brontës. St Martin’s Press. 499 |
| Textual Features | Emily Brontë | The range of her poems shows the influence of both Byron
and Wordsworth
. There are monologues evincing deep suffering and social alienation and lyrics evoking the power of nature. As Angela Leighton
argues (following... |
| Literary responses | Emma Frances Brooke | A short review in The Academy classified the poem as a domestic epic, which the reviewer considered almost a new genre.This reviewer cited the influence on the author of Wordsworth
and the Dora... |
| Literary responses | Mary Ann Browne | This collection was highly praised by William Wordsworth
. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
| Textual Production | Mary Ann Browne | The dedication celebrates her sister as the playmate of my childhood, the companion of my youth, and . . . the friend and blessing of my maturer years. Browne, Mary Ann. Ignatia. Hamilton, Adams. prelims |
| Textual Production | Elizabeth Barrett Browning | |
| Intertextuality and Influence | Elizabeth Barrett Browning | The title piece is a lyrical drama depicting, largely in the form of a conversation between two angels, the crucifixion of Christ. Among the accompanying pieces were several on literary personages or topics: To Mary Russell Mitford |
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