Critical Review. W. Simpkin and R. Marshall.
4th ser. 1 (1812): 336
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Charlotte Smith | It was small but handsome. Thomas Stothard
did two of the illustrations. His design for sonnet 12 (Written on the Sea Shore.—October 1784—the month in which she crossed the Channel with her children... |
Textual Production | Amelia Opie | AO
published the heavily didactic Temper; or, Domestic Scenes: A Tale (inspired by William Hayley
's poem The Triumph of Temper, 1781); it was seven years since her previous novel. Critical Review. W. Simpkin and R. Marshall. 4th ser. 1 (1812): 336 Mudge, Bradford Keyes, editor. Dictionary of Literary Biography 116. Gale Research. 231 |
Textual Production | Mariana Starke | Some of MS
's letters are among William Hayley
's papers at the Fitzwilliam Museum
in Cambridge, others among the John Murray
papers. Crawford, Elizabeth. “Posts tagged Mariana Starke”. Woman and her Sphere. |
Textual Production | Mary Scott | Anna Seward was eagerly awaiting the appearance of this poem in April. Seward, Anna. Letters of Anna Seward. Editor Constable, Archibald, Vol. 6 vols. , A. Constable. 2: 89 |
Theme or Topic Treated in Text | Elizabeth Sophia Tomlins | EST
wrote a verse dedication of this novel to the poet William Hayley
, with allusions which show her to be well acquainted with his writings. She addresses him as a patron of writing women... |
Travel | Anna Seward | AS
spent six weeks visiting William
and Eliza Hayley
at Eartham in Sussex. Ashmun, Margaret. The Singing Swan. Yale University Press; H. Milford, Oxford University Press. 103, 107, 168 |
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