Connections
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Textual Production | William Empson | WE
published his most controversial work, Milton
's God, in which he argues that the Christian God, as portrayed in orthodox manner, though with exceptional imaginative power, in Paradise Lost, is cruel and morally evil. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Intertextuality and Influence | Sarah Stickney Ellis | In her preface to the poem she outlines theories of poetry, taking much the same approach towards it that she had towards fiction: that verse, like prose, would benefit from attention to simple, everyday life... |
Theme or Topic Treated in Text | George Eliot | This followed not long after a review of a book on Milton
, which she used as an opportunity to discuss the law on marriage and divorce. In treating Wollstonecraft's A Vindication of the Rights... |
Education | Toru Dutt | TD
and Aru
were briefly enrolled at a boarding school in Nice where they studied French. Rao, Raja, and Toru Dutt. “Aru and Toru”. Ancient Ballads and Legends of Hindustan, Writers Workshop, 1972. |
Literary Setting | Dorothea Du Bois | In the second volume the grown-up Theodora is living in London, a great reader, and acquainted with the royal family: she is impolite to the Princess Royal when the latter interrupts her reading of Milton |
politics | John Dryden | This was work in keeping with his family's political position. Attending Westminster School only a stone's throw from a whole succession of exciting and disturbing national events must surely have awakened Dryden's historical and political... |
Occupation | Gustave Doré | |
Education | Florence Dixie | Lady Florence was at first educated at home in Scotland. After a first, unsuccessful attempt to place her in a convent she had, in France, an Irish Catholic governess whom she calls Miss O'Leary... |
Literary responses | Florence Dixie | This book was widely reviewed in provincial and even American as well as London papers. The Leamington Spa Courier and Warwickshire Standard called it a real, living, human production, and one which must ever be... |
Intertextuality and Influence | Mary Deverell | |
Literary responses | Ethel M. Dell | In response to a compliment on her writing EMD
replied, they are not well written and will never be called classics. qtd. in Dell, Penelope. Nettie and Sissie. Hamish Hamilton, 1977. 129 |
Textual Production | Mary Delany | MD
wrote for Handel
a libretto adapted from Milton
's Paradise Lost; it has not been traced. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990. Delany, Mary. The Autobiography and Correspondence of Mary Granville, Mrs. Delany. Editor Llanover, Augusta Hall, Baroness, R. Bentley, 1861–1862, 6 vols. II: 280 |
Textual Production | Mary Delany | |
Intertextuality and Influence | Maria De Fleury | Her poem is Miltonic
in style, with frequent echoes of Paradise Lost, although written in couplets. Accepting a designation applied to her by ideological enemies, MDF
opens by comparing herself to the biblical Deborah... |
Intertextuality and Influence | Maria De Fleury |
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