Wandor, Michelene. The Music of the Prophets. Arc Publications.
34
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Margaret Croker | |
Intertextuality and Influence | Sarah Stickney Ellis | In her preface to the poem she outlines theories of poetry, taking much the same approach towards it that she had towards fiction: that verse, like prose, would benefit from attention to simple, everyday life... |
Intertextuality and Influence | Anna Maria Mackenzie | The story opens during the sixteenth century, in the forests of Dalecarlia (in Swedish Dalarna), whose copper miners supported Gustav Vasa
(in English generally known as Gustavus) in his revolt against Christian II, King of Denmark, Sweden, and Norway |
Intertextuality and Influence | Sarah Murray | Frances Milton never blames her father for his unkindness; she still owes him total gratitude and devotion, which she seems to regard as on a par with our debt of love and gratitude to God... |
Intertextuality and Influence | Mary Julia Young | The title-page has two epigraphs. The first begins with two lines from Milton
's Il Penseroso (perhaps alluding to its musical setting by Handel
), which go on to link the nightingale with Anna... |
Intertextuality and Influence | Phyllis Bottome | The book describes the effects of bombing: effects on the cities of London and Liverpool, the Army
, Navy
, and Air Force
, the Women's Auxiliary Services
, and the lives of ordinary... |
Intertextuality and Influence | Elizabeth Gilding | Among these poems, To Miss —— (March 1783) is a poem of advice which recommends Milton
's Eve as a model. It applies to dawning reason the language both of religion and Romanticism: Go seek... |
Intertextuality and Influence | Mary, Lady Champion de Crespigny | MLCC
provides a sketch of Collingwood's naval career, with accounts of some of his major battles. As by degrees the storms arise, / 'Till hurricanes obscure the skies, / So his tremendous fire increas'd, /... |
Intertextuality and Influence | Elizabeth Hamilton | EH
seeks to raise the canonical status of the novel in this work not only by serious politico-philosophical content, but also by chapter-heading quotations from the classics (from Horace
, Shakespeare
, and Milton
to... |
Intertextuality and Influence | Anne Steele | Her non-religious poems show her a confident, versatile, accomplished writer. She casts a net of allusion widely—Milton
, Gray
, Edward Young
. She imitates Pope
on solitude, writes first of James Hervey
's... |
Intertextuality and Influence | Henrietta Maria Bowdler | HMB
published, anonymously, a long poem entitled Creation, and Other Poems: To Which Are Added, the Bowers of Happiness, a Vision, and an Essay on Sacred Poetry, which she claimed to have written without... |
Intertextuality and Influence | Michelene Wandor | It proclaims: this is the story of two people // this is the story of two peoples // and one God / your God or mine? Wandor, Michelene. The Music of the Prophets. Arc Publications. 34 |
Intertextuality and Influence | Selina Davenport | The title-page quotes Milton
on the false dissembler (Satan). The story opens with Edmund Dudley, the lover and the poet, confiding to a married friend, Leopold Courtenay, his love for Althea, to whom he has... |
Intertextuality and Influence | Olaudah Equiano | The book moves into vivid narrative with OE
's abduction, his mostly tolerable experiences as a slave in Africa (constantly moving on until he reached a tribe who were morally corrupted by whites), and his... |
Intertextuality and Influence | Mary Ann Cavendish Bradshaw | There follows a fighting critical Dissertation Respecting Patrons and Dedications, which covers the issues of male disrespect for female authors, the tyranny of critics, and over-insistence on moral instruction (with Hannah More
's Coelebs... |
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