Connections
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Education | Maya Angelou | When at seven she moved from Stamps to St Louis and attended Toussaint L'Ouverture High School, Marguerite found the teachers more formal but the students comparatively backward. In a year there she felt she learned... |
Travel | Maya Angelou | Her role in the Porgy and Bess touring company was MA
's passport to travel the world. In Montreal she felt able for the first time in her life to look freely at white people... |
Education | Margery Allingham | MA
was a fluent reader and writer by the time she was seven years old. Thorogood, Julia. Margery Allingham: A Biography. Heinmann, 1991. 25 |
names | Rose Allatini |
|
Textual Production | Anna Akhmatova | During the years that followed, her writing was sporadic and without hope of reaching print. In 1933 she was translatingShakespeare
's Macbeth, bearing in mind how relevant to her present life was its... |
Intertextuality and Influence | Grace Aguilar | GA
defends her central subject (which eclipses the requisite romances in the plot) in these terms: if Shakspeare
scorned not to picture the sweet influence of female friendship shall women pass it by as a... |
Textual Production | Grace Aguilar | GA
's domestic novel Woman's Friendship was issued posthumously. She had passionately defended her choice of topic by citing the authority of Shakespeare
. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Fleur Adcock | In December 1986 FA
published the sequence of ballads entitled Hotspur (spoken by Elizabeth Mortimer
, historical wife of Harry Percy
, heir to the first Earl of Northumberland, Shakespeare
's Hotspur). These poems were... |
Occupation | Sarah Flower Adams | In addition to writing hymns, SFA
attempted a stage career: she aimed to develop both musical and dramatic skills. Eliza Bridell Fox
notes that the aspiring performer possessed a rich contralto voice. Thesing, William B., editor. Dictionary of Literary Biography 199. Gale Research, 1999. 199: 4 |
Education | Margaret Haig Viscountess Rhondda | Taught by governesses until she was thirteen, Margaret Haig Thomas learned to read at about five. She was taught German and French, and she also learned Welsh as a child but did not retain it... |
Textual Features | Elizabeth Cary Viscountess Falkland | The play is a Senecan tragedy, written for the closet, not the public stage, though it is worth remembering that upper-class circles reading or performing such plays were connoisseurs of the highly dramatised masque... |
Literary responses | Mary Lady Chudleigh | Editor Margaret Ezell
notes how several women readers copied MLC
's most celebrated poem, To the Ladies, into irrelevant volumes, which they presumably thought a more secure repository than scraps of paper for a... |
Occupation | Mary Sidney Herbert Countess of Pembroke | The Countess of Pembroke's patronage was marked by eulogies and dedications (more than thirty) from many writers, including Ben Jonson
, Nicholas Breton
, and Samuel Daniel
. Daniel later told her elder son that... |
Intertextuality and Influence | Mary Sidney Herbert Countess of Pembroke | This play provoked Samuel Daniel
to respond with The Tragedy of Cleopatra (published in another work in 1594), and influenced Shakespeare
's Antony and Cleopatra. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. Hannay, Margaret P. Philip’s Phoenix: Mary Sidney, Countess of Pembroke. Oxford University Press, 1990, http://U of A HSS. 253n106 |
Textual Production | Margaret Bingham Countess Lucan | Her most most notable illustrations were done between 1790 and 1806 for a 5-volume edition of Shakespeare
's history plays, extant at Althorp in Northamptonshire. Behrendt, Stephen C., and George Holmes, editors. “Irish Women Poets of the Romantic Period”. Alexander Street Press, 2008. |
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