Maria Edgeworth
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Standard Name: Edgeworth, Maria
Birth Name: Maria Edgeworth
Pseudonym: M. E.
Pseudonym: M. R. I. A.
ME
wrote, during the late eighteenth century and especially the early nineteenth century, long and short fiction for adults and children, as well as works about the theory and practice of pedagogy. Her reputation as an Irish writer, and as the inventor of the regional novel, has never waned; it was long before she became outmoded as a children's writer; her interest as a feminist writer is finally being explored.
Connections
Connections Sort ascending | Author name | Excerpt |
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Textual Production | Maggie Gee | MG
was chosen for publication in the Cambridge University
magazine Granta in 1983, and has contributed to The Guardian, New Statesman, Times Literary Supplement, Mslexia, the Daily Telegraph and the Sunday... |
Textual Production | Eiléan Ní Chuilleanáin | ENC
edited Maria Edgeworth
's Belinda (not one of Edgeworth's Irish but one of her English novels) for Everyman's Library. Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. |
Textual Production | Anne Thackeray Ritchie | ATR
's A Book of Sibyls considered the lives and works of Anna Letitia Barbauld
, Maria Edgeworth
, Amelia Opie
, and Jane Austen
. Callow, Steven D. “A Biographical Sketch of Lady Anne Thackeray Ritchie”. Virginia Woolf Quarterly, Vol. 2 , 1980, pp. 285-7. 289 |
Textual Production | Anne Thackeray Ritchie | ATR
wrote a memorial preface to Poems and Music by Anne Evans
in 1880. In 1892 she drew on her father
's ideas for a largely anecdotalintroduction to Elizabeth Gaskell
's Cranford. Callow, Steven D. “A Biographical Sketch of Lady Anne Thackeray Ritchie”. Virginia Woolf Quarterly, Vol. 2 , 1980, pp. 285-7. 293 |
Textual Production | Alice Meynell | She often used this column to address the works of literary women of the past. She judged Jane Austen
inferior to Charlotte Brontë
, accepting Brontë's opinion that Austen lacked what she, by implication, possessed:... |
Textual Production | Virginia Woolf | By 1912 VW
had published on Margaret Cavendish
(as Duchess of Newcastle), Ann, Lady Fanshawe
, Elizabeth Carter
, Anna Seward
, Elizabeth, Lady Holland
, Maria Edgeworth
, Lady Hester Stanhope
, theBrontë |
Textual Production | Stella Gibbons | She dedicated the novel to Brenda Bennet
and Stella Crow
, two old friends from North London Collegiate School
. The frontispiece quotes Maria Edgeworth
's Leonora. Gibbons, Stella. The Bachelor. Dodd, Mead, 1944. prelims Oliver, Reggie. Out of the Woodshed: A Portrait of Stella Gibbons. Bloomsbury, 1998. 28 |
Textual Production | Mary Leadbeater | It had a preface and notes by Maria Edgeworth
, who did not know ML
very well personally but was impressed by the book. The Chawton House Library
copy is one presented by Edgeworth to... |
Textual Production | Ann Taylor Gilbert | She altered the magazine's policy, reviewing Mary Brunton
's Self-Control, and then Maria Edgeworth
's Tales, I forget which series, qtd. in Gilbert, Ann Taylor. Autobiography and Other Memorials of Mrs. Gilbert. Editor Gilbert, Josiah, H. S. King, 1874, 2 vols., http://U of A, HSS Ruth N . 1: 203 |
Textual Production | Anna Letitia Barbauld | The importance of politics in ALB
's journalism is shown by her declining an invitation from Maria Edgeworth
in 1804 to associate herself with a journal written entirely by women, on the grounds that the... |
Textual Production | Elizabeth Rigby | The second appeared in June 1844. This instalment (as Children's Books) considered works by Maria Edgeworth
, Mary Martha Sherwood
, and Mary Howitt
. Rigby, Elizabeth. “Children’s Books”. Quarterly Review, Vol. 74 , June 1844, pp. 1-26. 1 Lochhead, Marion C. Elizabeth Rigby, Lady Eastlake. John Murray, 1961. 46 Houghton, Walter E., and Jean Harris Slingerland, editors. The Wellesley Index to Victorian Periodicals 1824-1900. University of Toronto Press, 1966–1989, 5 vols. 1: 726 |
Textual Production | Christian Isobel Johnstone | She published this anonymously. Another edition of the same year has the Edinburgh imprint only. She claims that the first half of the work was set up in print before she had seen Scott
's... |
Textual Features | Catherine Gore | The title-page quotes Byron
pronouncing shame to the land of the Gaul. Gore, Catherine. The Lettre de Cachet; and, The Reign of Terror. J. Andrews, 1827. title-page Gore, Catherine. The Lettre de Cachet; and, The Reign of Terror. J. Andrews, 1827. iii |
Textual Features | L. E. L. | The novel also has a strong political element. It comments on the power of newspapers in national life, through reporting and editorials but also through advertising. Mr Delawarr is, says literary historian Edward Copeland, a... |
Textual Features | Jennifer Johnston | Johnston goes on to represent the gulf dividing old from young and class from class by telling her story in several voices: Minnie's stream of consciousness, that of her uncle (Money draining away. Wastepaper... |
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