Birne, Eleanor. “At Dulwich Picture Gallery”. London Review of Books, No. 17, p. 37.
Jane Hill
Standard Name: Hill, Jane
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Education | Dora Carrington | Critic Jane Hill
notes that though Carrington entered the Slade at a remarkable period in its own history (Henry Tonks
called it a second, and last, crisis of brilliance) |
Literary responses | Dora Carrington | |
Textual Features | Dora Carrington | Critic Jane Hill
argues that with this work, Carrington established her voice as uniquely, identifiably her own. Hill, Jane, and Michael Holroyd. The Art of Dora Carrington. Herbert Press, 1994. 32 |
Textual Production | Dora Carrington | At Ham Spray in 1928, DC
depicted Adam and Eve in a mosaic around Lytton Strachey
's bedroom fireplace; this image was later replaced with Boris Anrep
's painted hermaphrodite (which according to critic Jane Hill |
Textual Production | Dora Carrington | Her penmanship is evocative, and her words are accompanied by striking illustrations: Jane Hill
suggests that in some of her images Carrington anticipates the comic violence of Charlie Chaplin
and Walt Disney
's Mickey Mouse... |
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