Women’s Writing in the British Isles from the Beginnings to the Present
Hannah Cowley
-
Standard Name: Cowley, Hannah
Birth Name: Hannah Parkhouse
Married Name: Hannah Cowley
Pseudonym: Anna Matilda
Used Form: Mrs Cowley
Used Form: Mrs Cowley, the Author of the Runaway, A Comedy
HC
, who is said to have become a dramatist by accident and who probably persevered out of necessity, achieved in time great stage success during the late eighteenth century. She was well acquainted with the plays of her female predecessors, and often made use of them. She also wrote poetry, and may possibly have written a novel.
HM
probably gave up the theatre (both writing for it and attending plays) less because of the loss of David Garrick
or the conflict with Hannah Cowley
than because of her religious belief, which presented...
Textual Production
Mary Russell Mitford
MRM
wrote her first attempt, Fiesco, in early 1821, inspired (like Hannah Cowley
) by seeing a mediocre tragedy which she felt she could outdo.
Mitford, Mary Russell. The Life of Mary Russell Mitford: Told by Herself in Letters To Her Friends. Editor L’Estrange, Alfred Guy Kingham, Harper and Brothers.
Years later JM
published her vivid account of her struggles to get this novel published. She began writing because she thought (like Hannah Cowley
a few years later) that she could do better than what...
Intertextuality and Influence
Anna Maria Mackenzie
Meanwhile the heroine, Maria Stanley, is unjustly spurned by her husband because he believes the lying insinuations of a jealous and wicked woman whom he has rejected, but the truth is revealed in time for...
Theme or Topic Treated in Text
Anna Margaretta Larpent
This diary, covering thirteen years of her later teens and her twenties, provides an annual list of people she spent her time with, public places she visited, and private entertainments she enjoyed. Its criticism, mostly...
Intertextuality and Influence
Maria Theresa Kemble
The title alludes to Hannah Cowley
's very popular The Belle's Stratagem, 1780. MTK
's heroine, like hers, is lively and witty. Lady Emily spars verbally with her suitor O'Donolan, and keeps her freedom...
Friends, Associates
Elizabeth Inchbald
EI
was also professionally acquainted with the dramatist Hannah Cowley
. She was in the cast of Cowley's first hit, The Belle's Stratagem, which opened in February 1780; but a year later, during the...
Textual Features
Elizabeth Inchbald
EI
did not choose the plays herself. Shakespeare fills the first five volumes, apart from one piece by Ben Jonson
, and five of her own plays fill volume 20. The eighteenth century is better...
Material Conditions of Writing
Catherine Gore
CG
was the first woman to achieve a professional career as a dramatist since Elizabeth Inchbald
and Hannah Cowley
. She had eleven plays (from one-act farce to high comedy) performed with varying success on...
Literary responses
Catherine Gore
Reviews, like that in the Athenæum, were good in the main, and singled out the dialogue for praise even if critical of the character drawing, the plotting, or the level of finish. The Times...
Occupation
David Garrick
This began his career as theatre manager. One of a manager's duties might be considered to be the putting on of new plays, to ensure the health of the theatre of the future, but familiar...
Literary responses
Anne Damer
AD
's sculpture brought some echoes of the earlier attacks on her. A print displayed in London in July 1789, The Damerian Apollo, showed her in the unfeminine act of taking artistic liberties with...
Intertextuality and Influence
Susanna Centlivre
Hannah Cowley
borrowed the subplot for Who's the Dupe?, 1779.
Bowyer, John Wilson. The Celebrated Mrs Centlivre. Duke University Press.
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Literary responses
Mary Bryan
The Critical Review gave a couple of paragraphs to the collection, praising its soft and genuine sadness, the easy and unpremeditated . . . singularly graceful language, and the refined, enthusiastic, and cultivated mind
Ragaz, Sharon. “Writing to Sir Walter: The Letters of Mary Bryan Bedingfield”. Cardiff Corvey: Reading the Romantic Text, No. 7.
there...
Literary responses
Frances Brooke
The Critical Review and Gentleman's Magazine were respectful; the Monthly blamed FB
for indelicacy in her heroine and for unfairness to Garrick. It quoted testimonials about his care for their work from other women writers,...