Ridler, Anne. Memoirs. The Perpetua Press, p. 240 pp.
96
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Features | Mary Robinson | As well as MR
's account of her life, designed to mark her out as a romantic heroine and victim (and not immune from exaggeration and unreliability), this publication includes much of her other literary... |
Textual Features | Kathleen Raine | Its contents are studies of Blake's thought as related to changes occurring at the time of KR
's writing. She argues that the Romantic poets, particularly Coleridge
and Blake, led the way in adhering to... |
Textual Features | Valentine Ackland | Warner and Ackland point out in a Note to the Reader, which is a kind of manifesto, that the text is not a collaboration, but rather a joint collection of their poetry. They explain... |
Textual Features | Sappho | They treat a range of topics, from mythical and religious subjects, through satiric commentary and praise of beauty, to expressions of erotic desire. The cult of Aphrodite allowed poems to be simultaneously religious and erotic... |
Textual Features | Anne Ridler | Her introduction to the first selection, she said later, was more influenced by Coleridge
than by Charles Williams
. Ridler, Anne. Memoirs. The Perpetua Press, p. 240 pp. 96 |
Textual Production | Anna Jane Vardill | William E. A. Axon
read to a meeting of the Royal Society of Literature
a paper about AJV
, offering previously unknown information about her and her poem Christobell, A Gothic Tale, and debunking... |
Textual Production | Sara Coleridge | |
Textual Production | Elizabeth Rigby | As Lady Eastlake, ER
published her English translation of Samuel Taylor Coleridge
and the English Romantic School from the original German of Alois Brandl
. Brandl, Alois. Samuel Taylor Coleridge and the English Romantic School. Translator Rigby, Elizabeth, Haskell House. xi |
Textual Production | A. S. Byatt | In Unruly Times, 1989, she considers the shared thinking of Wordsworth
and Coleridge
, and its development in the context of epoch-making public events and the intellectual climate which surrounded them. |
Textual Production | Dorothy Wordsworth | This was from the beginning a less purely private text than the Grasmere journal, being written, said DW
, for the benefit of a few friends who were unable to come on the tour (foremost... |
Textual Production | Anne Bannerman | A footnote mentioned the previous issue's text of Coleridge
's Introduction to the Tale of the Dark Ladie (not its first printing). |
Textual Production | Helen Waddell | HW
provided an introduction for William Forbes Marshall
's Ballads and Verses from Tyrone, published by the Talbot Press
of Dublin in 1929, and an Appreciation for George Saintsbury
's Shakespeare, 1934. Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Textual Production | Julia Wedgwood | For the next thirty-five years she published steadily on religious, scientific, and moral concerns. She also produced profiles of other authors such as George Eliot
and Samuel Taylor Coleridge
. A collection of this work... |
Textual Production | Mary Lamb | Sarah Burton observes that Charles Lamb
's poem Written a twelvemonth after the Events (of 27 May 1796), which he thought (and expected Coleridge
to think) the best piece of writing he had yet produced... |
Textual Production | Mary Robinson | According to her daughter she had developed an intense interest in an elderly, dignified male lunatic who became the subject of this poem. She then woke from sleep after consuming (on doctor's orders) an unusually... |
No timeline events available.
No bibliographical results available.