Dell, Penelope. Nettie and Sissie. Hamish Hamilton.
129
Connections | Author name Sort descending | Excerpt |
---|---|---|
Author summary | Ella D'Arcy | EDA
was chiefly a short-story writer, known for her acerbic depictions of personal pain caused by the institution of marriage. Unlike other New Woman writers she shows no bias towards her own sex: her victims... |
Textual Production | Ella D'Arcy | |
Intertextuality and Influence | Charlotte Dacre | Zofloya was widely reviewed and its language widely condemned as bombastical—probably reflecting unease at its rampant female sexuality. Shocked reviews included those in the Literary Journal and Monthly Literary Recreations, though the Morning... |
Literary responses | Ethel M. Dell | In response to a compliment on her writing EMD
replied, they are not well written and will never be called classics. Dell, Penelope. Nettie and Sissie. Hamish Hamilton. 129 |
Intertextuality and Influence | Charlotte Despard | In this historically-based essay CD
sets out to deal not with individual women but with the great woman-principle. Shaw, Frederick John, editor. The Case for Women’s Suffrage. Unwin. 190 |
Education | Florence Dixie | Lady Florence was at first educated at home in Scotland. After a first, unsuccessful attempt to place her in a convent she had, in France, an Irish Catholic governess whom she calls Miss O'Leary... |
Literary responses | Florence Dixie | This book was widely reviewed in provincial and even American as well as London papers. The Leamington Spa Courier and Warwickshire Standard called it a real, living, human production, and one which must ever be... |
Literary responses | Florence Dixie | Holyoake
, the dedicatee, in his prefatory piece (like W. Stewart Ross
commenting on The Story of Ijain) defends FD
's work not only by assertion (it is a a marvel of thought... |
Textual Features | Helen Dunmore | The title poem pictures a man skating on a pond; he has the air, though, of a long-distance rather than a pleasure skater, and the poem imagines him going on forever, mounting the crusted waves... |
Textual Features | Margiad Evans | A poem dating probably from early 1950 speaks of her firm conviction of the separateness of music and poetry. There is, she wrote, no music in poems: she never heard in poetry either an organ... |
Friends, Associates | Margiad Evans | A young poet whom she calls B—, a descendant of Percy Shelley
(and therefore presumably of Mary Shelley
too), whom she had known since his boyhood, moved from his own cottage to stay with ME |
Occupation | Florence Farr | The lecture proved quite popular, and Clifford's Inn had to turn people away. Over the following years, FF
put on many such readings, performing works by Homer
, Shelley
, Yeats
, Lady Gregory
... |
Intertextuality and Influence | Florence Farr | Farr quotes from a variety of sources, from the Book of the Dead and Iamblichus
's The Mysteries to Shelley
's Ozymandias. Farr, Florence. Egyptian Magic. Aquarian Press. 12-13, 15, 85 |
Intertextuality and Influence | Florence Farr | A series of reviews by others precedes Farr's own account of her musical recitations. These experiments in verse performance began as illustrations of Yeats's theories of the music and rhythm of spoken verse, but Farr... |
Literary responses | Michael Field | George Meredith
thought the play would act well but added this criticism: I do not find in your dramatic prose the complete ring that there is in the sound and volume of your blank verse... |
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