Saddlemyer, Ann, and Augusta Gregory. “Foreword and History of First Productions”. The Tragedies and Tragic Comedies of Lady Gregory, Colin Smythe, p. v - xiii.
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Connections | Author name Sort ascending | Excerpt |
---|---|---|
Theme or Topic Treated in Text | Augusta Gregory | |
Performance of text | Augusta Gregory | AG
's one-act tragedy The Gaol Gate was first performed at the Abbey Theatre
in Dublin. Saddlemyer, Ann, and Augusta Gregory. “Foreword and History of First Productions”. The Tragedies and Tragic Comedies of Lady Gregory, Colin Smythe, p. v - xiii. x |
Reception | Augusta Gregory | Bernard Shaw
saw Lady Gregory as a born playwright . . . . doomed from the cradle to write for the stage, to break through every social obstacle to get to the stage, to refuse... |
Performance of text | Augusta Gregory | AG
's play The Rising of the Moon was produced at the Abbey Theatre
, Dublin. Saddlemyer, Ann, and Augusta Gregory. “Foreword and History of First Productions”. The Tragedies and Tragic Comedies of Lady Gregory, Colin Smythe, p. v - xiii. ix |
Performance of text | Augusta Gregory | The Unicorn from the Stars, co-written by AG
and W. B. Yeats
, was produced at the Abbey Theatre
, Dublin. Saddlemyer, Ann, and Augusta Gregory. “Foreword and History of First Productions”. The Tragedies and Tragic Comedies of Lady Gregory, Colin Smythe, p. v - xiii. x |
Performance of text | Augusta Gregory | AG
's The Travelling Man, a miracle play co-written with W. B. Yeats
, was first produced at the Abbey
in Dublin. Saddlemyer, Ann, and Augusta Gregory. “Foreword and History of First Productions”. The Tragedies and Tragic Comedies of Lady Gregory, Colin Smythe, p. v - xiii. xi Saddlemyer, Ann. In Defence of Lady Gregory, Playwright. Dufour Editions. 75 |
Publishing | Michael Field | The second of these was the play which had not only appeared alone in print but had also been staged, in October 1893. A decade after that, in 1903, William Butler Yeats
had turned down... |
Performance of text | Teresa Deevy | TD
had her great success with the play Katie Roche, which after its debut at the Abbey Theatre
, Dublin, was in 1938 seen both at the Abbey's festival (alongside work by O'Casey |
Textual Production | Teresa Deevy | TD
's next play for the Abbey Theatre (after her hit, Katie Roche), turned from the present to the past: The Wild Goose, set in 1692 with the oppression of the Penal Laws... |
Publishing | Teresa Deevy | Ernest Blythe
, the new managing director of the Abbey Theatre
, Dublin, rejected TD
's latest play, Wife to James Whelan. McGuire, James, and James Quinn, editors. Dictionary of Irish Biography. http://dib.cambridge.org/. |
Performance of text | Teresa Deevy | The only new TD
play seen in connection with the Abbey
, Dublin, after the rejection of Wife to James Whelan was Light Falling (already heard on radio), staged by Ria Mooney
and the... |
Performance of text | Teresa Deevy | It ran for seven performances, and was printed in the Irish Literary Journal. An Abbey
revival on 23 August 1937 ran for six performances. The Teresa Deevy Archive. http://deevy.nuim.ie/. Timeline “Playwrights. Teresa Deevy”. The Playwrights Database. |
Reception | Teresa Deevy | This work was awarded, jointly with Paul Vincent Carroll
's Things that are Caesar's, the Abbey
's prize for new playwrights. It was revived at the Abbey
in late August 1937. Frank O'Connor
wrote... |
Publishing | Teresa Deevy | Meanwhile TD
had signed a contract with the Abbey Theatre
for her next play, Holiday House, in early 1939. But the play was never produced, and Deevy was never able to get an honest... |
Performance of text | Teresa Deevy | For the first time the Abbey Theatre
in Dublin, persuaded by Lennox Robinson
, put on a production of a play by TD
: The Reapers in three acts. Robinson directed. McGuire, James, and James Quinn, editors. Dictionary of Irish Biography. http://dib.cambridge.org/. |
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