Connections
Connections | Author name Sort descending | Excerpt |
---|---|---|
Textual Production | Mary Ann Browne | The dedication celebrates her sister as the playmate of my childhood, the companion of my youth, and . . . the friend and blessing of my maturer years. Browne, Mary Ann. Ignatia. Hamilton, Adams, 1838. prelims |
Literary responses | Robert Browning | This series was at least the catalyst for the first direct contact between RB
and his future wife, Elizabeth Barrett
, since she praised it in Lady Geraldine's Courtship, which she included in her... |
Friends, Associates | Elizabeth Barrett Browning | Elizabeth Barrett
was introduced to Mary Russell Mitford
, who became a lifelong friend, by her cousin John Kenyon
; she met Wordsworth
the following day. Forster, Margaret. Elizabeth Barrett Browning: A Biography. Grafton, 1990. 80-2 Browning, Robert, and Elizabeth Barrett Browning. The Brownings’ Correspondence. Editors Kelley, Philip et al., Wedgestone Press, 1984–2025, 14 vols. to date. 3: 320 |
Reception | Elizabeth Barrett Browning | Following Wordsworth
's death (on 23 April), the Athenæum proposed EBB
as his successor for poet laureate. Athenæum. J. Lection. 1179 (1850): 585 |
Intertextuality and Influence | Elizabeth Barrett Browning | Byron
and Wordsworth
were important poetic influences. Books that Elizabeth Barrett owned and kept until her death included Philip James Bailey
's Festus, A Poem, a major text of the spasmodic school, L. E. L. |
Textual Production | Elizabeth Barrett Browning | |
Intertextuality and Influence | Elizabeth Barrett Browning | The title piece is a lyrical drama depicting, largely in the form of a conversation between two angels, the crucifixion of Christ. Among the accompanying pieces were several on literary personages or topics: To Mary Russell Mitford |
Friends, Associates | Mary Bryan | MB
approached Sir Walter Scott
on 10 June 1818, seeking the furtherance of her literary career. The extant correspondence spans nine years. His side does not survive, and there is no evidence that they ever... |
Textual Production | Mary Bryan | The preface to the work writhes between expression and suppression. MB
alternately fears being blamed for vanity or presumption Bryan, Mary, and Jonathan Wordsworth. Sonnets and Metrical Tales 1815. Woodstock Books, 1996. viii |
Intertextuality and Influence | Mary Bryan | The poems tend to the plaintive, but an allegiance to Wordsworth
and to his rule of simplicity keeps MB
from overstatement. The opening poem in the volume is a critical appreciation of Wordsworth's achievement which... |
Literary responses | Mary Bryan | The Critical Review gave a couple of paragraphs to the collection, praising its soft and genuine sadness, the easy and unpremeditated . . . singularly graceful language, and the refined, enthusiastic, and cultivated mind qtd. in Ragaz, Sharon. “Writing to Sir Walter: The Letters of Mary Bryan Bedingfield”. Cardiff Corvey: Reading the Romantic Text, No. 7, Dec. 2001. |
Textual Features | Mary Bryan | She wrote him long letters, discussing his work and opinions as well as her own, in an elaborately parenthetical and breathless style. The first extant letter begins, Will you pity—I have said—or will you not... |
Textual Production | Mary Bryan | Sir Walter Scott
had encouraged her from poetry into novel-writing. Unless the condition of her eyes improved miraculously during the sixteen months before publication, she must have composed by dictating to an amanuensis. Copies of... |
Textual Production | Lady Charlotte Bury | It is in large format from John Murray
, illustrated with engravings from drawings by the author's late husband
, and dedicated to the queen
. Subscribers included most of the British royal family, the... |
Friends, Associates | Lady Eleanor Butler | Among their many visitors (apart from the local gentry, with whom they duly established links), close friends included Anna Seward
, Henrietta Maria Bowdler
(who wrote mock-flirtatiously of LEB
as her veillard [sic] or old... |
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