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Connections Sort descending | Author name | Excerpt |
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Intertextuality and Influence | Ada Leverson | In this novel Valentia Wyburn, another clever woman, has been five years married and has a lover (though their sexual relationship is never particularised) besides her husband. But she breaks with him when she discovers... |
Intertextuality and Influence | Edith Sitwell | ES
loved Christina Rossetti
from her childhood, and later thoroughly admired Gertrude Stein
. As a young woman, however, she believed: Women's poetry, with the exception of Sappho
. . . and Goblin MarketChristina Rossetti
and... |
Intertextuality and Influence | Amy Levy | AL
acknowledged the influence on her poetry of Percy Bysshe Shelley
, Goethe
, Heine
, Robert Browning
, Swinburne
(whose poem Félise she answered in Félise to Her Lover), and James Thomson
(the... |
Intertextuality and Influence | Emily Faithfull | The novel brings together the fashionable upper-class society which EF
had experienced in her youth, with the question of women's employment which was the burning issue of her working life. She acknowledges the work of... |
Intertextuality and Influence | Maggie Gee | MG
was six when her five-page, semi-illegible saga on the life of an Indian woman teapicker won third prize in the Typhoo Tea
Handwriting Competition (which despite its name must, she says, have disregarded writing... |
Intertextuality and Influence | Sarah Williams | SW
read the poetry of George MacDonald
, Dora Greenwell
, and Algernon Charles Swinburne
, and commented on it in her letters. Plumptre, Edward Hayes, and Sarah Williams. “Memoir”. Twilight Hours: A Legacy of Verse, Strahan, 1868, p. vii - xxxiii. xxii |
Literary responses | Sarah Williams | Geraldine Jewsbury
wrote a review of Twilight Hours for the Athenæum in which she describes SW
's work as promising, but unfulfilled and melancholy. The review explains that her life . . . seems to... |
Literary responses | Mathilde Blind | The article brought her some prominence. Swinburne
found the new readings most precious. Swinburne, Algernon Charles. The Swinburne Letters. Editor Lang, Cecil Y., Yale University Press, 1959–1962, 6 vols. 2: 116 |
Literary responses | Christina Rossetti | CR
's critical reputation stood very high from the appearance of Goblin Market, although she was not a popular poet. H. Buxton Forman
in Our Living Poets, 1871, got her middle name wrong... |
Literary responses | Emily Brontë | This bowdlerized version of EB
's novel and her poetry circulated widely and received many reviews. H. F. Chorley
in the Athenæum pronounced the re-publication of the two novels an illustration of English female genius... |
Literary responses | Emily Lawless | Algernon Swinburne
wrote Lawless a gushing letter on reading Grania, describing it as one of the most exquisite and perfect works in the language—unique in pathos, humour, and convincing persuasion of truthfulness. qtd. in Sichel, Edith. “Emily Lawless”. Nineteenth Century, Vol. 76 , July 1914, pp. 80-100. 85 |
Literary responses | Anna Steele | The Academy gave Condoned a largely negative review, arguing that Steele had with the odd lack of judgment which not seldom distinguishes lady novelists, done nearly all she could to spoil her book. The Academy. 11 (3 February 1877): 91 |
Literary responses | George Eliot | On the whole reviewers were enthusiastic (E. S. Dallas
began his notice in the Times, George Eliot is as great as ever qtd. in Carroll, David, editor. George Eliot: The Critical Heritage. Barnes and Noble, 1971. 131 |
Literary responses | Elizabeth Siddal | The poems attracted little attention initially, except for their connection to ES
's life. Swinburne
was unusual in his estimation of her as a veritable artist in her own right. He discerned in A Year... |
Literary responses | Ouida | Critic Kenneth Churchill
argues that Ouida was the first English writer to chronicle the sense of growing disillusion qtd. in Twentieth-Century Literary Criticism. Gale Research, 1978–2025, Numerous volumes. 43: 376 |
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