Raycroft, Brent. “From Charlotte Smith to Nehemiah Higginbottom: Revising the Genealogy of the Early Romantic Sonnet”. European Romantic Review, Vol.
9
, No. 3, pp. 363-92. 382
Connections | Author name Sort descending | Excerpt |
---|---|---|
Textual Features | Constance Smedley | This first dialogue concerned the Baconian controversy. CS
's father was given to harping on his belief that Sir Francis Bacon
wrote the works of Shakespeare
. This is the position taken by Smedley's Victorian... |
Textual Production | Charlotte Smith | This has her preface replying to hostile criticism of her for querulous egotism, Raycroft, Brent. “From Charlotte Smith to Nehemiah Higginbottom: Revising the Genealogy of the Early Romantic Sonnet”. European Romantic Review, Vol. 9 , No. 3, pp. 363-92. 382 |
Intertextuality and Influence | Charlotte Smith | A preface (in the first volume) quotes the words of Samuel Johnson
(with apology for applying them to so trifling a matter as novel-writing) about working at his dictionary amid grief and illness, feeling cut... |
Textual Production | Lucy Toulmin Smith | LTS
did not produce any more volumes for several years, during which her work as a freelance research assistant perhaps occupied her fully. Finally, in 1879, she issued a new edition of Clement Mansfield Ingleby |
Theme or Topic Treated in Text | Lucy Toulmin Smith | In providing readers with a guide to understanding Shakespeare
's plays, Smith takes a lively approach: at one point she warns her readers that Falstaff, it must be said, is not always fit company for... |
Intertextuality and Influence | Zadie Smith | The book's epigraph from Shakespeare
's The Tempest (What's past is prologue) Smith, Zadie. White Teeth. Penguin. prelims Smith, Zadie. White Teeth. Penguin. 83 |
Intertextuality and Influence | Ali Smith | Smith's take on Iphis and Ianthe begins with sisters Anthea and Imogen listening to their grandfather's stories from when I was a girl in the women's suffrage movement: a sure induction into matters of gender... |
Intertextuality and Influence | Ali Smith | This novel is set in Cornwall, as well as in a contemporary landscape of violent exclusion, lies, suffering. Harris, Alexandra. “Book of the day. Winter by Ali Smith review—wise, generous and a thing of grace”. theguardian.com. |
Intertextuality and Influence | Ali Smith | As each book in this series relates to one of Shakespeare
's plays, this one relates to Pericles, and the artist that it relates to is |
Textual Features | Ali Smith | The arborist re-reads Oliver Twist alongside their partner's lectures and urges the partner to consider discussing the musical form of the novel (a request accommodated, as the academic threads it in alongside Auld Lang Syne... |
Literary responses | Charlotte Smith | The many editions of CS
's sonnets attest to their popularity. In one she mentions having to get back from friends the original manuscripts of poems which she had not bothered to keep. Her sonnets... |
Family and Intimate relationships | Ethel Smyth | They were familiar with one another's work before they met. In a 1921 review of Smyth's memoirs, Woolf wrote that ESlooks the militant, working, professional woman—the woman who had shocked the country by jumping... |
Intertextuality and Influence | Muriel Spark | In the opening scene a woman psychiatrist, Dr Hildegard Wolf, is consulted by a man claiming to be the famously missing Lord Lucan
. Inveterate gambler Lucky Lord Lucan
(Richard John Bingham, 7th Earl of... |
Intertextuality and Influence | Elizabeth Isabella Spence | The title-page quotes are from Nicholas Rowe
's Jane Shore and an unidentified old play. Spence, Elizabeth Isabella. Dame Rebecca Berry. Longman, Rees, Orme, Brown and Green . prelims |
Occupation | Christopher St John | They began annual memorial performances of Shakespeare
's plays in Terry's honour. In 1929, their opening season, CSJ
appeared in A Midsummer Night's Dream Glendinning, Victoria. Vita. Penguin. 251 |
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