Lampert, Arlene, Rosemary Sullivan, and Jeni Couzyn. “Preface”. The Selected Poetry of Jeni Couzyn, edited by Arlene Lampert, Rosemary Sullivan, Arlene Lampert, and Rosemary Sullivan, Exile Editions, 2000, p. xi - xiii.
xi
Connections Sort descending | Author name | Excerpt |
---|---|---|
Friends, Associates | Jeni Couzyn | While at the University of VictoriaJC
forged friendships with other writers such as Arlene Lampert
, Rosemary Sullivan
, and P. K. Page
(who are depicted in the poem Four Friends). Lampert, Arlene, Rosemary Sullivan, and Jeni Couzyn. “Preface”. The Selected Poetry of Jeni Couzyn, edited by Arlene Lampert, Rosemary Sullivan, Arlene Lampert, and Rosemary Sullivan, Exile Editions, 2000, p. xi - xiii. xi |
Literary responses | Jeni Couzyn | Rosemary Sullivan
called these love poems, and found them tough-minded, generous, tender.PN Review admired their handling of the binary of violence and tenderness represented by birth. Commentators from the angle of childbirth rather... |
Textual Features | Anne Carson | The other sections consist of a further batch of Short Talks: Canicula di Anna (which had been published alone in 1984, and centres on a conference held at Perugia in Italy), The Life... |
Textual Features | Sara Jeannette Duncan | Critic Rosemary Sullivan
sees in these stories the influence of Henry James
. Sullivan, Rosemary, and Sara Jeannette Duncan. “Introduction”. The Pool in the Desert, edited by Gillian Siddall and Gillian Siddall, Broadview, 2001, pp. 11 -22. 14 |
Textual Production | Jeni Couzyn | Couzyn aimed specifically at a Canadian audience The Selected Poetry of Jeni Couzyn, featuring an introduction and personal recollections by her friends and fellow-writers Arlene Lampert
and Rosemary Sullivan
. “Bowker’s Global Books in Print”. globalbooksinprint.com. University of Alberta Libraries On-line Catalogue. Lampert, Arlene, Rosemary Sullivan, and Jeni Couzyn. “Preface”. The Selected Poetry of Jeni Couzyn, edited by Arlene Lampert, Rosemary Sullivan, Arlene Lampert, and Rosemary Sullivan, Exile Editions, 2000, p. xi - xiii. xi |
Textual Production | Sara Jeannette Duncan | According to critic Rosemary Sullivan
, SJDwas an elitist and a monarchist. She had no difficulty with the lot of the Indians and the ethics of imperialism. Sullivan, Rosemary, and Sara Jeannette Duncan. “Introduction”. The Pool in the Desert, edited by Gillian Siddall and Gillian Siddall, Broadview, 2001, pp. 11 -22. 13 |
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